Hylla
Personnamn Bacon, Francis, 1909-1992.
Titel och upphov Francis Bacon : Unsichtbare Rũme = invisible rooms
Varianttitel Unsichtbare Rũme Invisible rooms
Utgivning, distribution etc.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 256 p. : ill. (some col.), ports. ; 29 cm.
Anmärkning: Allmän Catalog of an exhibition held at Tate Liverpool, May 18-Sept. 18, 2016, and at Staatsgalerie Stuttgart, Oct. 7, 2016-Jan. 8, 2017.
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehållsbeskrivning, sammanfattning This beautifully illustrated book on the work of Francis Bacon, one of the 20th century's greatest painters, takes an in-depth look at his trademark motif of figures imprisoned within ghostly frames. Arguably one of the most influential and original painters of the 20th century, Francis Bacon painted haunting portraits that employed themes of crucifixion, torment, and isolation. Incorporating the insights of 'The Logic of Sensation', French philosopher Gilles Deleuze's seminal criticism of Bacon's work, this volume highlights Bacon's approach to space as one of the defining forces of his work. By organizing the spatial and dramatic structure of his compositions with barely visible cubic or elliptical cages, his figures become trapped in a kind of invisible room. This sense of confinement creates a direct, unsettling impression on the viewer, and further emphasizes the painter's dark vision. This book features stunning reproductions of 40 large-scale paintings, including 'Study for a Portrait' (1952), 'Chimpanzee' (1955), 'Three Studies of the Male Back' (1970), and 'Sand Dune' (1983) as well as a selection of rarely exhibited works on paper. This book also contains a series of essays that explore the range of variation in Bacon's use of isolating constructions over a period of nearly 50 years, as well as the nature of his painting technique and compositions. Exhibition: Staatsgalerie Stuttgart, Germany (07.10.2016-08.01.2017).
Anmärkning: Språk Texts in German and English.
Personnamn Bacon, Francis 1909-1992 Bacon, Francis 1909-1992 Bacon, Francis, 1909-1992 Exhibitions. Bacon, Francis, 1909-1992.
Genre/Form Exhibition catalogs. Utställningskataloger
Personnamn
Institutionsnamn Tate Britain (Gallery) Staatsgalerie Stuttgart.
ISBN 9783791355764 3791355767 9783791367071 3791367072
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*020 $a9783791355764$q(book trade ed.)
*020 $a3791355767$q(book trade ed.)
*020 $a9783791367071$q(museum ed.)
*020 $a3791367072$q(museum ed.)
*035 $a(OCoLC)004881441
*035 $a(SE-LIBR)20835830
*0411 $ager$aeng$hger
*050 4$aND497.B16$bA4x 2016
*08204$a700.411
*1001 $aBacon, Francis,$d1909-1992.
*24510$aFrancis Bacon :$bUnsichtbare Rũme = invisible rooms /$cherausgegeben von Staatsgalerie Stuttgart, Ina Conzen.
*24630$aUnsichtbare Rũme
*24630$aInvisible rooms
*260 $aMunich :$bPrestel,$cc2016.
*300 $a256 p. :$bill. (some col.), ports. ;$c29 cm.
*500 $aCatalog of an exhibition held at Tate Liverpool, May 18-Sept. 18, 2016, and at Staatsgalerie Stuttgart, Oct. 7, 2016-Jan. 8, 2017.
*504 $aIncludes bibliographical references.
*5208 $aThis beautifully illustrated book on the work of Francis Bacon, one of the 20th century's greatest painters, takes an in-depth look at his trademark motif of figures imprisoned within ghostly frames. Arguably one of the most influential and original painters of the 20th century, Francis Bacon painted haunting portraits that employed themes of crucifixion, torment, and isolation. Incorporating the insights of 'The Logic of Sensation', French philosopher Gilles Deleuze's seminal criticism of Bacon's work, this volume highlights Bacon's approach to space as one of the defining forces of his work. By organizing the spatial and dramatic structure of his compositions with barely visible cubic or elliptical cages, his figures become trapped in a kind of invisible room. This sense of confinement creates a direct, unsettling impression on the viewer, and further emphasizes the painter's dark vision. This book features stunning reproductions of 40 large-scale paintings, including 'Study for a Portrait' (1952), 'Chimpanzee' (1955), 'Three Studies of the Male Back' (1970), and 'Sand Dune' (1983) as well as a selection of rarely exhibited works on paper. This book also contains a series of essays that explore the range of variation in Bacon's use of isolating constructions over a period of nearly 50 years, as well as the nature of his painting technique and compositions. Exhibition: Staatsgalerie Stuttgart, Germany (07.10.2016-08.01.2017).
*546 $aTexts in German and English.
*60014$aBacon, Francis$d1909-1992$2gnd
*60017$aBacon, Francis$d1909-1992$2gnd
*60010$aBacon, Francis,$d1909-1992$vExhibitions.
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*655 7$aExhibition catalogs.$2fast
*655 7$aUtställningskataloger$2saogf
*7001 $aConzen, Ina.
*7102 $aTate Britain (Gallery)
*7102 $aStaatsgalerie Stuttgart.
*852 $5N$bN$hIbz Bacon, F.$j8:o
*955 $aBiblioteksutställningskataloger$uUtställningskataloger
*955 $aDemonstrationskataloger$uUtställningskataloger
*955 $aMuseiutställningskataloger$uUtställningskataloger
*955 $aUtställningar (kataloger)$uUtställningskataloger
*955 $wg$aKataloger$uUtställningskataloger
*955 $aKataloger$wg$uUtställningskataloger
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