KONST - FOTOGRAFI - DESIGN

The people's galleries : art museums and exhibitions in Britain, 1800-1914
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Hylla
  • 17/075
Personnamn
  • Waterfield, Giles.
Titel och upphov
  • The people's galleries : art museums and exhibitions in Britain, 1800-1914
Utgivning, distribution etc.
  • New Haven : Yale University Press, 2015.
DDC klassifikationskod (Dewey Decimal Classification)
  • 708.209
SAB klassifikationskod
  • 708.209
  • Iib-e
  • HIS015000 HIS037060 BUS100000
Annan klassifikationskod
  • Iib-e
  • HIS015000 HIS037060 BUS100000
Fysisk beskrivning
  • 370 s. : ill.
Anmärkning: Innehåll
  • 1. Britain and the Visual Arts -- 2. Justifying the Museum -- 3. Struggling for a Voice : Learned Society and the Artists' Society in the Provincial City -- 4. Unpromising Soil : The Cities of the Industrial Revolution -- 5. The Universal Exhibition -- 6. For Instructions and Recreation -- 7. Art on Show -- 8. The Power of the Temporary Exhibition -- 9. A New Style of Collecting -- 10. Education in the Victorian Gallery -- 11. Patrons, Donors, Councillors, Curators, Visitors -- 12. Addressing the past -- 13. A New Order -- 14. The Aftermath.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • "This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and Nottingham were immensely popular and attracted enthusiastic audiences. The People's Galleries traces the rise of art museums in Britain through World War I, focusing on the phenomenon of municipal galleries. This richly illustrated book argues that these regional museums represented a new type of institution: an art gallery for a working-class audience, appropriate for the rapidly expanding cities and shaped by liberal ideals. As their broad appeal weakened with the new century, they adapted and became more conventional. Using a wide range of sources, the book studies the patrons and the publics, the collecting policies, the temporary exhibitions, and the architecture of these institutions, as well as the complex range of reasons for their foundation"-- Provided by publisher.
Kronologisk term
  • 1800-1914 (Storbritannien)
  • 1800 - 1999
Geografiskt namn
  • Storbritannien
  • Great Britain Intellectual life 19th century.
  • Great Britain Intellectual life 20th century.
  • Great Britain Social conditions.
  • Great Britain.
Genre/Form
  • Utställningskataloger
  • History.
ISBN
  • 9780300209846 (cloth : alkaline paper)
  • 0300209843 (cloth : alkaline paper)
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*5050 $a1. Britain and the Visual Arts -- 2. Justifying the Museum -- 3. Struggling for a Voice : Learned Society and the Artists' Society in the Provincial City -- 4. Unpromising Soil : The Cities of the Industrial Revolution -- 5. The Universal Exhibition -- 6. For Instructions and Recreation -- 7. Art on Show -- 8. The Power of the Temporary Exhibition -- 9. A New Style of Collecting -- 10. Education in the Victorian Gallery -- 11. Patrons, Donors, Councillors, Curators, Visitors -- 12. Addressing the past -- 13. A New Order -- 14. The Aftermath.
*5202 $a"This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and Nottingham were immensely popular and attracted enthusiastic audiences. The People's Galleries traces the rise of art museums in Britain through World War I, focusing on the phenomenon of municipal galleries. This richly illustrated book argues that these regional museums represented a new type of institution: an art gallery for a working-class audience, appropriate for the rapidly expanding cities and shaped by liberal ideals. As their broad appeal weakened with the new century, they adapted and became more conventional. Using a wide range of sources, the book studies the patrons and the publics, the collecting policies, the temporary exhibitions, and the architecture of these institutions, as well as the complex range of reasons for their foundation"--$cProvided by publisher.
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^
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Ex1Utlånat12.05.2020Konstbiblioteket17/075