Hylla
Personnamn Picabia, Francis, 1879-1953 Konstnär
Titel och upphov Francis Picabia : our heads are round so our thoughts can change direction
Utgivning, distribution etc. New York : The Museum of Modern Art, New York ; Zürich : Kunsthaus Zürich, 2016.
©2016
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 368 pages : illustrations (chiefly color) ; 32 cm.
Anmärkning: Allmän Published in conjunction with the exhibition held at the Kunsthaus Zürich, June 3-September 25, 2016, and at The Museum of Modern Art, New York, November 20, 2016-March 19, 2017.
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 361-364).
Anmärkning: Innehåll Foreword / Glenn D. Lowry and Christoph Becker -- Acknowledgments / Anne Umland and Cathérine Hug -- Francis Picabia: an introduction / Anne Umland -- Francis Picabia, once removed / Gordon Hughes -- The body after cubism / George Baker -- War, exile, and the machine / Adrian Sudhalter -- "I'm feeling somewhat better" / Juri Steiner -- Picabia's worldliness / Briony Fer -- Relâche and the music hall / Carole Boulbès -- Francis "Funny Guy" Picabia and Entr'acte / Jean-Jacques Lebel -- Art = Sun = Destruction / Aurélie Verdier -- The secret recesses of Picabia's transparencies / Masha Chlenova -- More powerful, more simple, more human painting / Bernard Marcadé -- Francis Picabia's "war" / Michèle C. Cone -- Painting, poetry, and impudent correspondence / Carole Boulbès -- "The sacrilege of the points": Francis Picabia's quasi-monochromes and the return of dada / Arnauld Pierre -- Jokes and their relation to modern art: Picabia's painting / David Joselit -- Picabia after Picabia / Cathérine Hug -- Pharamousse, funny guy, Picabia the loser: the life of Francis Picabia / Rachel Silveri -- Checklist of the exhibition / Natalie Dupêcher with Talia Kwartler.
Anmärkning: Innehållsbeskrivning, sammanfattning Among the great modern artists of the past century, Picabia is one of the most elusive, given his extreme eclecticism and persistent acts of self-contradiction. Though known as a Dadaist, Picabia's ongoing stylistic shifts, from Impressionism to radical abstraction, from mechanical imagery to pseudo-classicism, and from photo-based realism to art informel remain to be assessed in depth. Similarly, the breadth of his practice, which encompassed poetry, film and performance is under-recognized. Each makes him a figure relevant for contemporary artists, while the career as a whole challenges familiar narratives of modernism. Francis Picabia presents over 100 paintings, complemented by works on paper, publications, and film. Featuring some 500 illustrations and 14 essays, it examines the full range of Picabia's oeuvre.
Personnamn Picabia, Francis, 1879-1953.
Institutionsnamn The Museum of Modern Art (New York) 20. 11. 2016-19. 3. 2017. Kunsthaus (Zürich) 3. 6.-25. 9. 2016.
Genre/Form Analys och tolkning Utställningskataloger
Personnamn Baker, George, Bidragsgivare Hug, Catherine, 1976- Författare/medförfattare Umland, Anne, editor. Författare/medförfattare Boulbès, Carole, Bidragsgivare Chlenova, Masha, Bidragsgivare Fer, Briony, Bidragsgivare Hughes, Gordon L. Bidragsgivare Joselit, David, Bidragsgivare Lebel, Jean-Jacques, 4ctb Mercadé, Bernard, Bidragsgivare
Institutionsnamn Museum of Modern Art (New York, N.Y.), Utställningsansvarig, utställningskommissarie Kunsthaus Zürich, Utställningsansvarig, utställningskommissarie
ISBN
*00004325cam a22005537i 4500
*00192936
*00520171010143505.0
*008151231s2016 xxua b 00| 0 eng c
*020 $a9781633450035
*020 $a1633450031
*035 $a(SE-LIBR)19595697
*08204$a709.2$223/swe
*1001 $aPicabia, Francis,$d1879-1953$4art
*24510$aFrancis Picabia :$bour heads are round so our thoughts can change direction /$cAnne Umland and Cathérine Hug ; with essays by George Baker [and others]
*260 $aNew York, NY :$bThe Museum of Modern Art, New York,$c[2016]
*264 1$aNew York :$bThe Museum of Modern Art, New York ;$aZürich :$bKunsthaus Zürich,$c2016.
*264 4$c©2016
*300 $a368 pages :$billustrations (chiefly color) ;$c32 cm.
*336 $atext$btxt$2rdacontent.
*336 $astill image$bsti$2rdacontent.
*337 $aunmediated$bn$2rdamedia.
*338 $avolume$bnc$2rdacarrier.
*500 $aPublished in conjunction with the exhibition held at the Kunsthaus Zürich, June 3-September 25, 2016, and at The Museum of Modern Art, New York, November 20, 2016-March 19, 2017.
*504 $aIncludes bibliographical references (pages 361-364).
*50500$gForeword /$rGlenn D. Lowry and Christoph Becker --$gAcknowledgments /$rAnne Umland and Cathérine Hug --$tFrancis Picabia: an introduction /$rAnne Umland --$tFrancis Picabia, once removed /$rGordon Hughes --$tThe body after cubism /$rGeorge Baker --$tWar, exile, and the machine /$rAdrian Sudhalter --$t"I'm feeling somewhat better" /$rJuri Steiner --$tPicabia's worldliness /$rBriony Fer --$tRelâche and the music hall /$rCarole Boulbès --$tFrancis "Funny Guy" Picabia and Entr'acte /$rJean-Jacques Lebel --$tArt = Sun = Destruction /$rAurélie Verdier --$tThe secret recesses of Picabia's transparencies /$rMasha Chlenova --$tMore powerful, more simple, more human painting /$rBernard Marcadé --$tFrancis Picabia's "war" /$rMichèle C. Cone --$tPainting, poetry, and impudent correspondence /$rCarole Boulbès --$t"The sacrilege of the points": Francis Picabia's quasi-monochromes and the return of dada /$rArnauld Pierre --$tJokes and their relation to modern art: Picabia's painting /$rDavid Joselit --$tPicabia after Picabia /$rCathérine Hug --$tPharamousse, funny guy, Picabia the loser: the life of Francis Picabia /$rRachel Silveri --$gChecklist of the exhibition /$rNatalie Dupêcher with Talia Kwartler.
*5208 $aAmong the great modern artists of the past century, Picabia is one of the most elusive, given his extreme eclecticism and persistent acts of self-contradiction. Though known as a Dadaist, Picabia's ongoing stylistic shifts, from Impressionism to radical abstraction, from mechanical imagery to pseudo-classicism, and from photo-based realism to art informel remain to be assessed in depth. Similarly, the breadth of his practice, which encompassed poetry, film and performance is under-recognized. Each makes him a figure relevant for contemporary artists, while the career as a whole challenges familiar narratives of modernism. Francis Picabia presents over 100 paintings, complemented by works on paper, publications, and film. Featuring some 500 illustrations and 14 essays, it examines the full range of Picabia's oeuvre.
*60014$aPicabia, Francis,$d1879-1953.
*61024$aThe Museum of Modern Art (New York)$y20. 11. 2016-19. 3. 2017.
*61024$aKunsthaus (Zürich)$y3. 6.-25. 9. 2016.
*655 7$aAnalys och tolkning$2saogf$0https://id.kb.se/term/saogf/Analys%20och%20tolkning
*655 7$aUtställningskataloger$2saogf
*7001 $aBaker, George,$4ctb
*7001 $aHug, Catherine,$d1976-$4aut
*7001 $aUmland, Anne,$eeditor.$4aut
*7001 $aBoulbès, Carole,$4ctb
*7001 $aChlenova, Masha,$4ctb
*7001 $aFer, Briony,$4ctb
*7001 $aHughes, Gordon L.$4ctb
*7001 $aJoselit, David,$4ctb
*7001 $aLebel, Jean-Jacques,$e4ctb
*7001 $aMercadé, Bernard,$4ctb
*7102 $aMuseum of Modern Art (New York, N.Y.),$4cur
*7102 $aKunsthaus Zürich,$4cur
*852 $5N$bN$hIbz Picabia, F.$j8:o
*910 $aMOMA$uMuseum of Modern Art (New York, N.Y.)
*950 $aModernism (konst)$wg$uDadaism (konst)
*955 $aKataloger$wg$uUtställningskataloger
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