Hylla
Personnamn Danto, Arthur C., 1924-2013, author.
Titel och upphov After the end of art : contemporary art and the pale of history
Utgivning, distribution etc. Princeton, New Jersey : Princeton University Press, [2014]
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Upplaga First Princeton classics edition.
Fysisk beskrivning xxvi, 239 pages : illustrations ; 22 cm
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll Foreword to the Princeton classics edition -- Introduction: modern, postmodern, and contemporary -- Three decades after the end of art -- Master narratives and critical principles -- Modernism and the critique of pure art: the historical vision of Clement Greenberg -- From aesthetics to art criticism -- Painting and the pale of history: the passing of the pure -- Pop art and past futures -- Painting, politics, and post-historical art -- The historical museum of monochrome art -- Museums and the thirsting millions -- Modalities of history: Possiblity and comedy.
Anmärkning: Innehållsbeskrivning, sammanfattning "Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover.
Personnamn Goehr, Lydia, writer of supplementary textual content. Medarbetare
Seriebiuppslag under titel A.W. Mellon lectures in the fine arts ; 1995. Bollingen series ; 35:44. Princeton classics.
Elektronisk adress och åtkomst (URI) Publisher description http://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-d.html Table of contents only http://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-t.html Contributor biographical information http://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-b.html http://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-d.html http://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-t.html http://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-b.html
ISBN
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*00187961
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*008140417t20141997njua b 000 0 eng c
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*035 $a(OCoLC)ocn877364695
*035 $a(SE-LIBR)17562718
*050 4$aN7480$b.D33 2014
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*1001 $aDanto, Arthur C.,$d1924-2013,$eauthor.
*24510$aAfter the end of art :$bcontemporary art and the pale of history /$cArthur C. Danto ; with a new foreword by Lydia Goehr.
*250 $aFirst Princeton classics edition.
*260 $aPrinceton, New Jersey :$bPrinceton University Press,$c[2014]
*264 1$aPrinceton, New Jersey :$bPrinceton University Press,$c[2014]
*300 $axxvi, 239 pages :$billustrations ;$c22 cm
*336 $atext$btxt$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references and index.
*5050 $aForeword to the Princeton classics edition -- Introduction: modern, postmodern, and contemporary -- Three decades after the end of art -- Master narratives and critical principles -- Modernism and the critique of pure art: the historical vision of Clement Greenberg -- From aesthetics to art criticism -- Painting and the pale of history: the passing of the pure -- Pop art and past futures -- Painting, politics, and post-historical art -- The historical museum of monochrome art -- Museums and the thirsting millions -- Modalities of history: Possiblity and comedy.
*520 $a"Originally delivered as the prestigious A.W. Mellon Lectures in the Fine Arts in 1995, After the End of Art remains a classic of art criticism and philosophy, and continues to generate heated debate for contending that art ended in the 1960s. Arthur Danto, one of the best-known art critics of his time, presents radical insights into art's irrevocable deviation from its previous course and the decline of traditional aesthetics. He demonstrates the necessity for a new type of criticism in the face of contemporary art's wide-open possibilities"--Page 4 of cover.
*7001 $aGoehr, Lydia,$ewriter of supplementary textual content.$4oth
*830 0$aA.W. Mellon lectures in the fine arts ;$v1995.
*830 0$aBollingen series ;$v35:44.
*830 0$aPrinceton classics.
*852 $5N$bN$h15/156
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*85642$3Contributor biographical information$uhttp://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-b.html
*856 $uhttp://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-d.html
*856 $uhttp://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-t.html
*856 $uhttp://catdir.loc.gov/catdir/enhancements/fy1503/2014943658-b.html
*950 k$aFeministisk konstteori$wh$uKonstteori
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