KONST - FOTOGRAFI - DESIGN

*00004007cam a22002897a 4500
*00185262
*00520150720153953.0
*008020410s2002    enk     |     000 0 eng c
*020  $a1873132336
*035  $a(SE-LIBR)16983293$x16983293
*050 4$aTP919$b.D94 2002
*08204$a667.2$221
*1112 $aDyes in history and archaeology$n(18 :$d1999 :$cBryssel)
*24510$aDyes in history and archaeology 18 :$bincluding papers presented at the 18th meeting, held at the Institut Royal du Patrimoine Artistique/Koninklijk Instituut voor het Kunstpatrimonium, Brussels, 21-22 October 1999 /$cedited by Jo Kirby.
*260  $aLondon :$bArchetype,$c2002.
*300  $ax, 116 p. :$c25 cm.
*300  $bill. (some col.) ;
*504  $aIncludes bibliographical references.
*50500$tMax Saltzman: A Recollection --$g1.$tDye Analyses of Selected Textiles from Three Roman Sites in the Eastern Desert of Egypt: A Hypothesis on the Dyeing Technology in Roman and Coptic Egypt /$rIna Vanden Berghe /$rGhislaine Richard /$rJan Wouters /$rRene Breniaux /$rDominique Cardon --$g2.$tDyestuff Analysis of Two Textile Fragments from Late Antiquity /$rRegina Hofmann-de Keijzer /$rMaarten R. van Bommel --$g3.$tA New HPLC-PDA Method for the Analysis of Tyrian Purple Components /$rZvi C. Koren --$g4.$tThe Biblical Dye Tekhelet and its Use in Jewish Textiles /$rI. Irving Ziderman --$g5.$tIndigo-Reducing Bacteria from the Medieval Woad (Isatis tinctoria L.) Vat: Some Aspects of their Interaction with Indigo /$rSonja Nicholson /$rStylianos Arghyros /$rPhilip John --$g6.$tWoad Production in Catalonia and Roussillon at the End of the Middle Ages /$rAnthony Pinto --$g7.$tThe Identification of Purple in Manuscripts /$rCheryl Porter --$g8.$tMissal Blue: Anthocyanins in Nature and Art /$rMaria Joao Melo --$g9.$tSanguis draconis, Dragonsblood: The Use and Analysis of a Manuscript Illuminators  Colorant /$rArie Wallert /$rMaarten R. van Bommel --$g10.$tSome Aspects of Medieval and Renaissance Lake Pigment Technology /$rJo Kirby --$g11.$tMonitoring of Damage to Historic Tapestries (MODHT): A Newly Initiated EU project /$rAnita Quye --$g12.$tDye Analysis of Braids used for Japanese Armour dating from the 14th to the 16th Centuries (Poster presentation) /$rKen Sasaki /$rMari Omura /$rYoshiko Sasaki /$rMasanori Sato --$g13.$tChromatographic and Spectroscopic Differentiation of Insect Dyes on East Asian Paintings (Poster presentation) /$rJennifer Giaccai --$g14.$tA Study of Model Carmine Lakes on the Basis of Cochineal, Collagen and Mordant Salts /$rZoe Zharikova /$rValery Golikov --$g15.$tNatural Dyes used in Polish Workshops in the 17th 18th Centuries /$rKatarzyna Schmidt-Przewozna --$g16.$tArchaeology and Dyeing Traditions in West Africa /$rMarie Marquet --$g17.$tChinese Green: Experimental Investigations (Poster presentation) /$rJo Kirby /$rAlan T. Dronsfield /$rChristopher J. Cooksey --$g18.$tLogwood under the Microscope /$rBrian H. Davies --$g19.$tEdward Schunck: Forgotten Dyestuffs Chemist? /$rChristopher J. Cooksey /$rAlan T. Dronsfield --$g20.$tSpectroscopic Studies (FTIR, SIMS, ES-MS) on the Structure of Anthraquinone-Aluminium Complexes (Poster presentation) /$rJana Sanyova --$g21.$tComputation of a Visible Light Absorption Spectrum, a Semi-Empirical Quantum Mechanical Approach: Application to the Colour Determination of Alizarin Complexes whether in Solution or Chemisorbed onto Cellulose /$rFrancois Delamare /$rBernard Monasse --$g22.$tEvaluation of Consolidants for Black Iron Tannate-Dyed Maori Textiles (Poster presentation) /$rCara L. Dunford /$rIan J. Miller /$rGlenn A. Fenton /$rGerald J. Smith /$rRangi Te Kanawa.
*592  $aClip2MM$b2015-08-04
*655 7$aKongresser$2saogf
*7001 $aKirby, Jo$4edt
*7102 $aInstitut royal du patrimoine artistique (Bryssel)$4oth
*852  $5N$h14/379
*950 k$aTextilfärgning$uFärgning
*950 k$aFärgare$uFärgning
*950 k$aFärgerier$uFärgning
*950 s$aFärgpigment$uFärgämnen
*950 k$aAuripigment$uFärgämnen
*950 k$aKoschenill$uFärgämnen
*950 k$aFlavonoider$uFärgämnen
*950 k$aIndigo$uFärgämnen
*950 k$aPurpur$uFärger
*950 k$aRött$uFärger
*950 k$aSvart$uFärger
*950 k$aVitt$uFärger
*950 k$aHudfärg$uFärger
*950 k$aFärgterminologi$uFärger
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