Hylla TSKR REF Nederlands Kunsthistorisch Jaarboek , deel 63
Titel och upphov Art and migration : Netherlandish artists on the move, 1400-1750 = Kunst en migratie : Nederlandse kunstenaars op drift, 1400-1750
Varianttitel Kunst en migratie : Nederlandse kunstenaars op drift, 1400-1750
Utgivning, distribution etc.
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 383 pages : illustrations ; 27 cm
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Netherlandish artists on the move / Frits Scholten and Joanna Woodall -- Greener pastures? Capturing artists' migrations during the Dutch Revolt / Filip Vermeylen -- Netherlandish immigrant painters and the Dutch reformed church of London, Austin Friars, 1560-1580 / Hope Walker -- 'Una cosa non meno maravigliosa che honorata' The expansion of Netherlandish sculptors in sixteenth-century Europe / Arjan de Koomen -- Early-modern Netherlandish sculptors in Danzig and East-Central Europe. A study in dissemination through interrelation and workshop practice / Franciszek Skibinski -- Easter outpost. The sculptors Herman van Hutte and Hendrik Horst in Lviv c.1560-1610 / Aleksandra Lipinska -- Wisselend succes. De loopbanen van Nederlandse en Vlaamse kunstenaars in Florence, 1450-1600 / Gert Jan van der Sman and Bouk Wierda -- From itinerant to immigrant artist. Aert Mytens in Naples / Marije Osnabrugge -- Juan de la Corte: 'branding' Flanders abroad / Abigail D. Newman -- A fugitive's success story. Jacob van Loo in Paris (1661-1670) / Judith Noorman -- Carlo Helman, merchant, patron and collector, and the role of family ties in the Antwerp-Venice migrant network / Isabella di Lenardo -- Between painter and painter stands a tall mountain. Van Mander's Italian Lives as a source for instructing artists in the deelen der consten / Saskia Cohen-Willner.
Anmärkning: Innehållsbeskrivning, sammanfattning Since the Middle Ages artists from the Low Countries were known to be fond of travelling, as Guicciardini in 'Descrittione di tutti i Paesi Bassi' (Antwerp, 1567) and Karel van Mander in his 1604 'Schilderboeck', already noticed. Much more mobile than their colleagues from other European countries, many Netherlandish artists spread all over Europe; a remarkable number among them achieved great fame as court artists, as the careers of Claus Sluter in Burgundy, Anthonis Mor in Spain, Bartholomeus Spranger or Adriaen de Vries in Prague, Giambologna and Jacob Bijlevelt in Florence demonstrate. Moreover, they exerted considerable influence on the artistic production of their time. Nevertheless most of them sank into oblivion soon after they died. Dutch art history neglected them for a long time as they did not fit into the traditional canon of the Low Countries, nor were they adopted by the art histories of their new homelands. This new NKJ volume is an attempt to change this.
Kronologisk term
Personnamn Scholten, Frits Utgivare, redaktör, sammanställare Woodall, Joanna Utgivare, redaktör, sammanställare Meijers, Dulcia, 1954- Utgivare, redaktör, sammanställare
Seriebiuppslag under titel Nederlands kunsthistorisch jaarboek ; d. 63.
ISBN
*00004141cam a22004817i 4500
*00185135
*00520140915113027.0
*008140329s2014 ne a b 000 0 eng c
*020 $a9789004270534
*020 $a9004270531
*035 $a(OCoLC)ocn875151915
*035 $a(SE-LIBR)16937286
*050 4$aN6945$b.A78 2014
*08204$a700-9492
*24510$aArt and migration :$bNetherlandish artists on the move, 1400-1750 = Kunst en migratie : Nederlandse kunstenaars op drift, 1400-1750 /$ceditors/redactie: Frits Scholten, Joanna Woodall, Dulcia Meijers
*24631$aKunst en migratie : Nederlandse kunstenaars op drift, 1400-1750
*260 $aLeiden :$bBrill,$c2014
*264 1$aLeiden :$bBrill,$c2014
*300 $a383 pages :$billustrations ;$c27 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references.
*50500$tNetherlandish artists on the move /$rFrits Scholten and Joanna Woodall --$tGreener pastures? Capturing artists' migrations during the Dutch Revolt /$rFilip Vermeylen --$tNetherlandish immigrant painters and the Dutch reformed church of London, Austin Friars, 1560-1580 /$rHope Walker --$t'Una cosa non meno maravigliosa che honorata' The expansion of Netherlandish sculptors in sixteenth-century Europe /$rArjan de Koomen --$tEarly-modern Netherlandish sculptors in Danzig and East-Central Europe. A study in dissemination through interrelation and workshop practice /$rFranciszek Skibinski --$tEaster outpost. The sculptors Herman van Hutte and Hendrik Horst in Lviv c.1560-1610 /$rAleksandra Lipinska --$tWisselend succes. De loopbanen van Nederlandse en Vlaamse kunstenaars in Florence, 1450-1600 /$rGert Jan van der Sman and Bouk Wierda --$tFrom itinerant to immigrant artist. Aert Mytens in Naples /$rMarije Osnabrugge --$tJuan de la Corte: 'branding' Flanders abroad /$rAbigail D. Newman --$tA fugitive's success story. Jacob van Loo in Paris (1661-1670) /$rJudith Noorman --$tCarlo Helman, merchant, patron and collector, and the role of family ties in the Antwerp-Venice migrant network /$rIsabella di Lenardo --$tBetween painter and painter stands a tall mountain. Van Mander's Italian Lives as a source for instructing artists in the deelen der consten /$rSaskia Cohen-Willner.
*5208 $aSince the Middle Ages artists from the Low Countries were known to be fond of travelling, as Guicciardini in 'Descrittione di tutti i Paesi Bassi' (Antwerp, 1567) and Karel van Mander in his 1604 'Schilderboeck', already noticed. Much more mobile than their colleagues from other European countries, many Netherlandish artists spread all over Europe; a remarkable number among them achieved great fame as court artists, as the careers of Claus Sluter in Burgundy, Anthonis Mor in Spain, Bartholomeus Spranger or Adriaen de Vries in Prague, Giambologna and Jacob Bijlevelt in Florence demonstrate. Moreover, they exerted considerable influence on the artistic production of their time. Nevertheless most of them sank into oblivion soon after they died. Dutch art history neglected them for a long time as they did not fit into the traditional canon of the Low Countries, nor were they adopted by the art histories of their new homelands. This new NKJ volume is an attempt to change this.
*648 7$aFöre 1500$2sao
*648 7$a1500-1800$2sao
*7001 $aScholten, Frits$4edt
*7001 $aWoodall, Joanna$4edt
*7001 $aMeijers, Dulcia,$d1954-$4edt
*830 0$aNederlands kunsthistorisch jaarboek ;$vd. 63.
*852 $5N$bN$hTSKR REF Nederlands Kunsthistorisch Jaarboek , deel 63
*950 s$aHolländsk målarkonst$uNederländsk målarkonst
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