KONST - FOTOGRAFI - DESIGN

Experimental arts in postwar Japan moments of encounter, engagement, and imagined return
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Personnamn
  • Sas, Miryam
Titel och upphov
  • Experimental arts in postwar Japan moments of encounter, engagement, and imagined return
Utgivning, distribution etc.
  • Harvard University Asia Center Distributed by Harvard University Press Cambridge, Mass. 2011.
DDC klassifikationskod (Dewey Decimal Classification)
  • 700.952/09046
SAB klassifikationskod
  • 700.952/09046
Fysisk beskrivning
  • xvii, 275 p. ill. 24 cm.
Serietitel - ej biuppslagsform
  • Harvard East Asian monographs 329
Anmärkning: Bibliografi etc.
  • Includes bibliographical references and index.
Anmärkning: Innehåll
  • Introduction: death acts (survival acts) -- Post-Shingeki's edge. No holds barred: Betsuyaku Minoru and the paradoxes of total commitment -- Terayama Shuji: gender, power, and the imperative voice -- Blindness and the visuality of desire -- Intersubjective spaces, communal dreams -- Theories of encounter. Theories of encounter: breaking the everyday -- Imaginations of return: film, Buto, photography. Marks the spot: experimental film crossings -- On homecoming: Hijikata's writings and Buto -- Provoke era: new languages of Japanese photography -- Conclusion: counterfeit coins, phantasms.
Kronologisk term
  • 1900-talet
Term
  • Japansk konst
  • Arts, Japanese 20th century.
  • Avant-garde (Aesthetics) Japan.
  • Art Japan
  • Art, Japanese
Seriebiuppslag under titel
  • Harvard East Asian monographs 329
ISBN
  • 9780674053403 (hardcover : alk. paper)
  • 0674053400 (hardcover : alk. paper)
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