Hylla
Personnamn Brougher, Kerry Författare/medförfattare
Titel och upphov Damage control : art and destruction since 1950
Utgivning, distribution etc. Hirshhorn Museum and Sculpture Garden ; Washington, DC : Munich : DelMonico, Prestel, 2013
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning 224 pages : illustrations (chiefly color) ; 29 cm
Anmärkning: Allmän Published to accompany an exhibition organized by the Hirshhorn Museum and Sculpture Garden and held at Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C., October 24, 2013-May 26, 2014; Musée d'Art Moderne Grand-Duc Jean, Luxembourg, July 5-October 12, 2014; and Kunsthaus Graz, Austria, November 15, 2014-March 15, 2015.
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 219-223) and index.
Anmärkning: Innehållsbeskrivning, sammanfattning Timely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.
Kronologisk term
Genre/Form
Personnamn Ferguson, Russell Författare/medförfattare Gamboni, Dario Författare/medförfattare
Institutionsnamn Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Utgivare Musée d'art moderne Grand-Duc Jean, host institution Kunsthaus Graz, host institution
ISBN
*00003536cam a22005537i 4500
*00180867
*00520160406161826.0
*008130504s2013 dcua bc 001 0 eng c
*020 $a9783791353166
*020 $a3791353160
*035 $a(OCoLC)841897471
*035 $a(SE-LIBR)15178041
*08204$a704.94915 247$223/swe
*1001 $aBrougher, Kerry$4aut
*24510$aDamage control :$bart and destruction since 1950 /$cKerry Brougher, Russell Ferguson, Dario Gamboni
*260 $aWashington, DC :$bHirshhorn Museum and Sculpture Garden ;$aMunich : DelMonico, Prestel,$c2013
*300 $a224 pages :$billustrations (chiefly color) ;$c29 cm
*336 $atext$btxt$2rdacontent.
*336 $astill image$bsti$2rdacontent.
*337 $aunmediated$bn$2rdamedia.
*338 $avolume$bnc$2rdacarrier.
*500 $aPublished to accompany an exhibition organized by the Hirshhorn Museum and Sculpture Garden and held at Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington D.C., October 24, 2013-May 26, 2014; Musée d'Art Moderne Grand-Duc Jean, Luxembourg, July 5-October 12, 2014; and Kunsthaus Graz, Austria, November 15, 2014-March 15, 2015.
*504 $aIncludes bibliographical references (pages 219-223) and index.
*520 $aTimely and wide-ranging, this volume explores in-depth the theme of destruction in international contemporary art. While destruction as a theme can be traced throughout art history, from the early atomic age it has remained a pervasive and compelling element of contemporary visual culture. Damage Control features the work of more than 40 international artists working in a range of media--painting, sculpture, photography, film, installation, and performance--who have used destruction as a means of responding to their historical moment and as a strategy for inciting spectacle and catharsis, as a form of rebellion and protest, or as an essential part of re-creation and restoration. Including works by such diverse artists as Jean Tinguely, Andy Warhol, Bruce Conner, Yoko Ono, Gordon Matta-Clark, Pipilotti Rist, Yoshitomo Nara, and Laurel Nakadate, the book reaches beyond art to enable a broader understanding of culture and society in the aftermath of World War II, under the looming fear of annihilation in the atomic age, and in the age of terrorism and other disasters, real and imagined.
*648 7$a1900-talet$2sao
*648 7$a2000-talet$2sao
*655 7$aUtställningskataloger$2saogf
*7001 $aFerguson, Russell$4aut
*7001 $aGamboni, Dario$4aut
*7102 $aHirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC$4pbl
*7102 $aMusée d'art moderne Grand-Duc Jean,$ehost institution
*7102 $aKunsthaus Graz,$ehost institution
*852 $5N$bN$h14/042
*950 $aKrigföring$wg$uKärnvapenkrigföring
*955 $wg$aKataloger$uUtställningskataloger
^
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