Hylla Pnac Särskilda fotografiska förfaranden
Personnamn
Titel och upphov Photography's antiquarian avant-garde the new wave in old processes
Utgivning, distribution etc. Harry N. Abrams New York 2002
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Annan klassifikationskod
Fysisk beskrivning 159 p. ill. (some col.) 30 cm.
Anmärkning: Bibliografi etc. Includes bibliographical references (p. 153) and index.
Anmärkning: Innehåll Preface: The Death and Birth and Death and Birth of Photography -- Introduction: Looking Forward by Looking Backward -- The Antiquarian Avant-Garde -- Mirror with a Memory: Daguerreotypes Resurrected -- Chuck Close: Why I Make Daguerreotypes -- First Photographs: Art on Paper -- Ethereality: Flowing Images on Glass -- The Angel of Uncertainty: An Interview with Sally Mann on the Lure of the Poured Image -- Tin Dreams: The Art of the Tintype -- Beyond the Blueprint: New Cyanotypes -- Photography Degree Zero: Photograms -- Technical Glossary and Aid to Appreciation.
Anmärkning: Innehållsbeskrivning, sammanfattning It started in the 1970s with a group of artists seeking to reengage the physical facts of photography, its materials and processes, by turning to the history of photography for metaphors, technical information, and visual inspiration. By the 1980s it had become a movement with a fervent following. And now, for the first time in book form, Photography's Antiquarian Avant-Garde charts this full-blown rebellion of contemporary photographers against the advent of digital technology and their reversion to photographic methods used in the nineteenth century. By beginning with a narrative history of photography that allows the reader to understand the forebears of this movement, author Lyle Rexer provides a context for engaging with the contemporary work. For all of the artists illustrated, stepping into the past is a way to reimagine and redirect not only the photographic object, but the very act of photography itself. In each subsequent chapter, he introduces the reader to a different technique and, along with providing vivid insights into the creative processes of the artists, makes visible the astonishing diversity of their work. The photographers in this volume are from all over the world and use a wide array of processes. Among the artists and methods featured are Adam Fuss's Cibachrome photograms, Jayne Hinds Bidaut's tintypes, Jerry Spagnoli's daguerreotypes, Gabor Kerekes's carbon dichromates, and Laurent Millet's toned silver prints. An interview with Sally Mann about her collodion prints and a statement written by Chuck Close about his work with daguerreotypes give the reader a clear sense of what has driven them to pursue these long-obsolete processes. The book is completed by a glossary of technical terms to enhance the reader's understanding of the technical aspects of each process. Fans of photography will prize this beautifully illustrated volume by Rexer (a contributor to Aperture who has written other catalogs on photography and contemporary art). The current movement to use 19th-century techniques is described. Five of these techniques each get their own essay, namely, daguerreotype, tintype, cyanotype, photograms, and glass plates. Two additional essays include an interview with Sally Mann, and an essay by Chuck Close on his use of daguerreotype. A technical glossary is provided.
Term Fototeknik historia 1800-talet Fototeknik historia 1900-talet Fotokonst 1800-talet 1900-talet Cyanotypi Fotogram Daguerreotypi Tintype Photography, Artistic. Photography Processing History 19th century. Photography Printing processes History 19th century. Blueprints Daguerreotype
Annat medium Online version Rexer, Lyle. Photography's antiquarian avant-garde. New York : Harry N. Abrams, 2002 Online version Rexer, Lyle. Photography's antiquarian avant-garde. New York : Harry N. Abrams, 2002
Automatiskt genererade ämnesord (BURK)
ISBN
*00004973cam a22005657a 4500
*00176635
*00520110810091851.0
*008010829s2002 nyua b 001 0 eng
*020 $a0810904020$x0810904020
*020 $a9780810904026$x9780810904026
*035 $a(SE-LIBR)12280052 $x12280052
*035 $a(OCoLC)ocm47893652
*035 $a12280052
*040 $aDLC$cDLC$dUKM$dC#P$dBAKER$dXY4$dBTCTA$dYDXCP$dIG#$dGEBAY$dEXW$dDEBBG$dNfo
*042 $apcc
*05000$aTR642$b.R493 2002
*08200$a770$221
*084 $aPna$2kssb/8
*084 $aPni$2kssb/8
*1001 $aRexer, Lyle
*24510$aPhotography's antiquarian avant-garde$bthe new wave in old processes$cLyle Rexer
*260 $aNew York$bHarry N. Abrams$c2002$y2002
*300 $a159 p.$bill. (some col.)$c30 cm.
*504 $aIncludes bibliographical references (p. 153) and index.
*50500$tPreface: The Death and Birth and Death and Birth of Photography --$tIntroduction: Looking Forward by Looking Backward --$tThe Antiquarian Avant-Garde --$tMirror with a Memory: Daguerreotypes Resurrected --$tChuck Close: Why I Make Daguerreotypes --$tFirst Photographs: Art on Paper --$tEthereality: Flowing Images on Glass --$tThe Angel of Uncertainty: An Interview with Sally Mann on the Lure of the Poured Image --$tTin Dreams: The Art of the Tintype --$tBeyond the Blueprint: New Cyanotypes --$tPhotography Degree Zero: Photograms --$tTechnical Glossary and Aid to Appreciation.
*520 $aIt started in the 1970s with a group of artists seeking to reengage the physical facts of photography, its materials and processes, by turning to the history of photography for metaphors, technical information, and visual inspiration. By the 1980s it had become a movement with a fervent following. And now, for the first time in book form, Photography's Antiquarian Avant-Garde charts this full-blown rebellion of contemporary photographers against the advent of digital technology and their reversion to photographic methods used in the nineteenth century. By beginning with a narrative history of photography that allows the reader to understand the forebears of this movement, author Lyle Rexer provides a context for engaging with the contemporary work. For all of the artists illustrated, stepping into the past is a way to reimagine and redirect not only the photographic object, but the very act of photography itself. In each subsequent chapter, he introduces the reader to a different technique and, along with providing vivid insights into the creative processes of the artists, makes visible the astonishing diversity of their work. The photographers in this volume are from all over the world and use a wide array of processes. Among the artists and methods featured are Adam Fuss's Cibachrome photograms, Jayne Hinds Bidaut's tintypes, Jerry Spagnoli's daguerreotypes, Gabor Kerekes's carbon dichromates, and Laurent Millet's toned silver prints. An interview with Sally Mann about her collodion prints and a statement written by Chuck Close about his work with daguerreotypes give the reader a clear sense of what has driven them to pursue these long-obsolete processes. The book is completed by a glossary of technical terms to enhance the reader's understanding of the technical aspects of each process. Fans of photography will prize this beautifully illustrated volume by Rexer (a contributor to Aperture who has written other catalogs on photography and contemporary art). The current movement to use 19th-century techniques is described. Five of these techniques each get their own essay, namely, daguerreotype, tintype, cyanotype, photograms, and glass plates. Two additional essays include an interview with Sally Mann, and an essay by Chuck Close on his use of daguerreotype. A technical glossary is provided.
*592 $aBatLibMM21$b2014-05-19
*650 7$aFototeknik$xhistoria$y1800-talet$2sao
*650 7$aFototeknik$xhistoria$y1900-talet$2sao
*650 7$aFotokonst$y1800-talet$y1900-talet$2sao
*650 7$aCyanotypi$2sao
*650 7$aFotogram$2sao
*650 7$aDaguerreotypi$2sao
*650 4$aTintype
*650 0$aPhotography, Artistic.
*650 0$aPhotography$xProcessing$xHistory$y19th century.
*650 0$aPhotography$xPrinting processes$xHistory$y19th century.
*650 0$aBlueprints
*650 0$aDaguerreotype
*77608$iOnline version$aRexer, Lyle.$tPhotography's antiquarian avant-garde.$dNew York : Harry N. Abrams, 2002$wIMP(OCoLC)606756717
*77608$iOnline version$aRexer, Lyle.$tPhotography's antiquarian avant-garde.$dNew York : Harry N. Abrams, 2002$wIMP(OCoLC)606756724
*841 $5N$ax a$b1108094u 8 1001uu 0901128$e4
*852 $5N$bN$hPnac Särskilda fotografiska förfaranden
*950 k$aFotografi$wg$uCyanotypi
*950 k$wh$aKirlianfotografi$uFotogram
*950 $aDagerrotypi$w||?$uDaguerreotypi
*950 s$aDaguerrotypi$uDaguerreotypi
*950 k$aFototeknik$wg$uDaguerreotypi
*9760 $aPna$bFotografi
*9760 $aPni$bFotokonst
^
Det finns inga omdömen till denna titeln.
Klicka här
för att vara den första som skriver ett omdöme.