KONST - FOTOGRAFI - DESIGN

Contemporary art theory
Komihåglistan är tom
Vis
Hylla
  • REF Konstteori
  • 13/362
Personnamn
  • Zabel, Igor
Titel och upphov
  • Contemporary art theory
Utgivning, distribution etc.
  • JRP/Ringier ; in co-edition with Les presses du reel, Zurich : Dijon : 2012.
DDC klassifikationskod (Dewey Decimal Classification)
  • 111.85
SAB klassifikationskod
  • 111.85
Fysisk beskrivning
  • 297 p. : 21 cm.
  • ill. ;
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (p. 295-297).
Anmärkning: Innehåll
  • Introduction : Theory as poetry -- I. East, West, and between -- Dialogue -- 'We' and 'others' -- The strategy of history writing -- Art and state : from modernism to the retroavantgarde -- Commitment -- Intimacy and society : post-communist or Eastern art? -- Haven't we had enough? -- II. Strategies and spaces of art -- Exhibition strategies in the 1990s : a few examples from Slovenia -- The para-mirror of the new parasitism -- Making art visible -- The return of the white cube -- Contemporary art and the institutional system -- III. Ad personam -- Ground and its loss : landscape in Slovene modern and contemporary art (four examples) -- Art, power, and the public : Makrolab model -- Body art in Slovene art : 1960s to 1980s -- The field, the map, and the eye -- Icons by Irwin -- The case -- Dabernig's buildings -- A short walk through Mladen Stilinovic's four rooms -- Another speedy day -- IV. Extras -- Depth of the surface -- The soil in which art grows -- Professionals, dilettantes, and amateurs -- Greetings from the provinces -- Picasso or beer?
Anmärkning: Innehållsbeskrivning, sammanfattning
  • Igor Zabel (1958-2005) was a Slovenian curator, writer, and cultural theorist. This important translation of his writings will enrich the international critical field through Zabel's extraordinary analytical and emphatic thinking and writing. As well as texts dealing with international issues, his writings can serve as a methodology model for research into Eastern European art practices, which often share common stand points and problems.0.
Kronologisk term
  • 1945-
Geografiskt namn
  • Slovenien
Personnamn
  • Spanjol, Igor Utgivare, redaktör, sammanställare
Seriebiuppslag under titel
  • 6.
  • Documents (Zurich, Switzerland) ;
ISBN
  • 9783037642382 (JRP/Ringier)
  • 3037642386 (Les presses du réel)
*00002784cam a22003737a 4500
*00161214
*00520131004142842.0
*008120921s2012    sz a     b    000 0 eng c
*020  $a9783037642382 (JRP/Ringier)
*020  $a3037642386 (Les presses du réel)
*035  $a(SE-LIBR)14722811$x14722811
*035  $a(OCoLC)031709225
*050 4$aN7255.S56$bZ32 2012
*08204$a111.85
*1001 $aZabel, Igor
*24510$aContemporary art theory /$cIgor Zabel ; [edited by] Igor Spanjol.
*260  $aZurich :$bJRP/Ringier ;$aDijon :$bin co-edition with Les presses du reel,$c2012.
*300  $a297 p. :$c21 cm.
*300  $bill. ;
*504  $aIncludes bibliographical references (p. 295-297).
*50500$tIntroduction : Theory as poetry --$gI.$tEast, West, and between --$tDialogue --$t'We' and 'others' --$tThe strategy of history writing --$tArt and state : from modernism to the retroavantgarde --$tCommitment --$tIntimacy and society : post-communist or Eastern art? --$tHaven't we had enough? --$gII.$tStrategies and spaces of art --$tExhibition strategies in the 1990s : a few examples from Slovenia --$tThe para-mirror of the new parasitism --$tMaking art visible --$tThe return of the white cube --$tContemporary art and the institutional system --$gIII.$tAd personam --$tGround and its loss : landscape in Slovene modern and contemporary art (four examples) --$tArt, power, and the public : Makrolab model --$tBody art in Slovene art : 1960s to 1980s --$tThe field, the map, and the eye --$tIcons by Irwin --$tThe case --$tDabernig's buildings --$tA short walk through Mladen Stilinovic's four rooms --$tAnother speedy day --$gIV.$tExtras --$tDepth of the surface --$tThe soil in which art grows --$tProfessionals, dilettantes, and amateurs --$tGreetings from the provinces --$tPicasso or beer?
*5208 $aIgor Zabel (1958-2005) was a Slovenian curator, writer, and cultural theorist. This important translation of his writings will enrich the international critical field through Zabel's extraordinary analytical and emphatic thinking and writing. As well as texts dealing with international issues, his writings can serve as a methodology model for research into Eastern European art practices, which often share common stand points and problems.0.
*592  $aClip2MM$b2015-11-02
*648 7$a1945-$2sao
*651 4$aSlovenien$2sao
*7001 $aSpanjol, Igor$4edt
*830 0$v6.
*830 0$aDocuments (Zurich, Switzerland) ;
*852  $5N$hREF Konstteori
*852  $5N$h13/362
*950 k$aKritik$uKonstkritik
*950 k$aKonstkritiker$uKonstkritik
*950 s$aKonstbegreppet$uKonstteori
*950 k$aKonstvetenskap$uKonstteori
*950 k$aFeministisk konstteori$uKonstteori
*951 s$aRepublika Slovenija$uSlovenien
*951 s$aRepubliken Slovenien$uSlovenien
^
Det finns inga omdömen till denna titeln.
Klicka här för att vara den första som skriver ett omdöme.
Vis
Sänd till
Ex.namnStatusFörfallodagTillhörHylla
Ex1Tillgängligt KonstbiblioteketREF Konstteori
Ex2Tillgängligt Konstbiblioteket13/362