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Classical myths in Italian Renaissance painting
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  • 11/194
Personnamn
  • Freedman, Luba, 1953-
Titel och upphov
  • Classical myths in Italian Renaissance painting
Utgivning, distribution etc.
  • Cambridge University Press, Cambridge [England] ; New York : 2011.
DDC klassifikationskod (Dewey Decimal Classification)
  • 755.92130945
SAB klassifikationskod
  • 755.92130945
  • ART000000
Annan klassifikationskod
  • ART000000
Fysisk beskrivning
  • xvi, 292 p. : ill. (some col.) ; 27 cm.
Anmärkning: Bibliografi etc.
  • Includes bibliographical references (p. 249-269) and index.
  • Includes bibliographical references and index.
Anmärkning: Innehållsbeskrivning, sammanfattning
  • "The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"-- Provided by publisher.
ISBN
  • 9781107001190 (hardback)
  • 1107001196 (hardback)
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*008101103s2011    enk      b    001 0 eng
*020  $a9781107001190 (hardback)
*020  $a1107001196 (hardback)
*035  $a(OCoLC)678924724
*035  $a(OCoLC)ocn678924724
*035  $a(SE-LIBR)12199208
*05000$aND1422.I8$bF74 2011
*08200$a755.92130945$222
*084  $aART000000$2bisacsh
*1001 $aFreedman, Luba,$d1953-
*24510$aClassical myths in Italian Renaissance painting /$cLuba Freedman.
*260  $aCambridge [England] ;$aNew York :$bCambridge University Press,$c2011.
*300  $axvi, 292 p. :$bill. (some col.) ;$c27 cm.
*504  $aIncludes bibliographical references (p. 249-269) and index.
*504  $aIncludes bibliographical references and index.
*520  $a"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--$cProvided by publisher.
*852  $5N$bN$h11/194
^
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Ex 1Krav sänt22.05.2018Konstbiblioteket11/194