KONST - FOTOGRAFI - DESIGN

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*1001 $aSmith, Jaune Quick-to-See,$d1940-$4aut$4cur
*24514$aThe land carries our ancestors :$bcontemporary art by Native Americans /$cJaune Quick-to-See Smith ; Joy Harjo, heather ahtone, Shana Bushyhead Condill.
*264 1$aWashington :$bNational Gallery of Art ;$aPrinceton ;$aOxford :$bIn association with Princeton University Press,$c[2023]
*264 3$aItaly :$bVerona Libri
*264 4$c©2023
*300  $a175 pages$billustrations (chiefly color), portraits (chiefly color)$c26 cm
*336  $atext$astill image$btxt$bsti$2rdacontent$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*500  $a"Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon.
*500  $aDesigned by Deborah Littlejohn (Eastern Band of Cherokee Indians descent); edited by Nancy Eickel; produced by Brad Ireland and Christina Wiginton.
*504  $aIncludes bibliographical references and index.
*5058 $gExhibiting artists (tribal affiliations are based on the information provided by each artist):$tGeorge Alexander (Muscogee) --$tKeri Ataumbi (Kiowa) --$tNatalie Ball (Modoc/Klamath) --$tMarwin Begaye (Diné) --$tFrank Big Bear (Ojibwe, White Earth Nation) --$tJulie Buffalohead (Ponca Tribe of Oklahoma) --$tAndrea Carlson (Grand Portage Ojibwe/European descent) --$tRaven Chacon (Diné) --$tGerald Clarke Jr. (Cahuilla Band of Indians) --$tMelissa Cody (Navajo) --$tJim Denomie (Lac Courte Oreilles Ojibwe, Ajijaak Clan) --$tDemian DinéYazhi' (Diné) --$tDuwawisioma (Victor Masayesva Jr.) (Hopi Tribe) --$tKa'ila Farrell-Smith (Klamath/Modoc) --$tJoe Feddersen (Colville Confederated Tribes) --$tNicholas Galanin (Lingít/Unangax̂) and Merritt Johnson (Unaffiliated) --$tJeffrey Gibson (Mississippi Band of Choctaw Indians/Cherokee Nation) --$tTeri Greeves (Kiowa) --$tRaven Halfmoon (Caddo Nation) --$tEdgar Heap of Birds (Cheyenne and Arapaho Nations) --$tLuzene Hill (Eastern Band of Cherokee Indians) --$tJohn Hitchcock (Comanche/Kiowa/European descent) --$tG. Peter Jemison (Seneca Nation of Indians, Heron Clan) --$tTom Jones (Ho-Chunk Nation) --$tLinda King (Confederated Salish and Kootenai Tribes) --$tAthena LaTocha (KeWeenaw Bay Ojibwe/Standing Rock Lakota) --$tJames Lavadour (Confederated Tribes of the Umatilla Indian Reservation, Walla Walla) --$tLinda Lomahaftewa (Hopi/Choctaw) --$tGeorge C. Longfish (Seneca/Tuscarora) --$tCannupa Hanska Luger (Mandan/Hidatsa/Arikara/Lakota)--$tBrenda Mallory (Cherokee Nation) --$tMario Martinez (Pascua Yaqui Tribe of Arizona) --$tMelissa Melero-Moose (Fallon Paiute-Shoshone Tribe) --$tJamie Okuma (La Jolla Band of Luiseno Indians) --$tChris Pappan (Kanza/Lakota) --$tRose Powhatan (Pamunkey/Tauxenent descent) --$tWendy Red Star (Apsáalooke) --$tEric-Paul Riege (Diné) --$tCara Romero (Chemehuevi) --$tDiego Romero (Pueblo of Cochiti) --$tRose B. Simpson (Pueblo of Santa Clara, New Mexico) --$tPreston Singletary (Tlingit) --$tGail Tremblay [work by Gail Tremblay was not exhibited] (Onondaga/Mi'kmaq descent)--$tKay WalkingStick (Cherokee Nation of Oklahoma/European descent) --$tStar WallowingBull (Ojibwe/Arapaho) --$tMarie Watt (Seneca Nation of Indians/European descent) --$tEmmi Whitehorse (Diné) --$tWill Wilson (Diné) --$tSteven Yazzie (Diné/Pueblo of Laguna, New Mexico/European descent).
*5058 $rKaywin Feldman, Director, National Gallery of Art --$gForeword and acknowledgments /$tOnce the world was perfect /$rJoy Harjo, Muscogee (Creek) Nation --$tSky as place, land as body, landscape as spiritual compass /$rheather ahtone --$tLand/landbase/landscape /$rJaune Quick-to-See Smith, citizen of the Confederated Salish and Kootenai Nation --$tThe dust on our feet / Shana Bushyhead Condill, Eastern Band of Cherokee Indians --$gWorks of art --$gArtist biographies --$gWorks in the exhibition.
*5208 $a"Curated by artist Jaune Quick-to-See Smith, this exhibition brings together works by an intergenerational group of nearly 50 living Native artists practicing across the United States. Their powerful expressions reflect the diversity of Native American individual, regional, and cultural identities. At the same time, these works share a worldview informed by thousands of years of reverence, study, and concern for the land. Through a variety of practices--including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video--these artists visualize Indigenous knowledge of land, landbase. landscape. Together, the works in The Land Carries Our Ancestors underscore the self-determination, survivance, and right to self-representation of Indigenous peoples."--From the National Gallery of Art's website.
*648 7$a2000-2099$2fast
*651 7$aUnited States$2fast
*655 7$aexhibition catalogs.$2aat
*655 7$aphotobooks.$2aat
*655 7$aExhibition catalogs$2fast
*655 7$aExhibition catalogs.$2lcgft
*655 7$aPhotobooks.$2lcgft
*655 7$aCatalogues d'exposition.$2rvmgf
*655 7$aLivres de photographies.$2rvmgf
*7001 $aHarjo, Joy$epoet.
*7001 $aAhtone, Heather$4ctb
*7001 $aCondill, Shana Bushyhead$4ctb
*7102 $aNational Gallery of Art (U.S.)$ehost museum.$4orm
*7102 $aNew Britain Museum of American Art$ehost museum.
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