KONST - FOTOGRAFI - DESIGN

*00003543cam a2200505 i 4500
*001115120
*00520230309145442.0
*008230309s2022    tu ac||||bc|||000 0deng|d
*020  $a9786057100801
*020  $a6057100808
*035  $a(OCoLC)on1369500421
*035  $a(SE-LIBR)q6dxcf30nwlfk4n4
*041  $aeng
*050 4$aNK4210.F87
*24510$aCandeğer Furtun /$cedited by Selen Ansen and Süreyyya Evren ; curator: Selen Ansen.
*250  $aFirst edition.
*264 1$aİstanbul :$bArter Publications,$c2022
*300  $a285 pages$billustrations (chiefly color), portraits$c28 cm
*336  $atext$btxt$2rdacontent
*336  $astill image$bsti$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*4900 $aArter Publications ;$v70
*500  $a"This book accompanies Candeğer Furtun's retrospective exhibition held at Arter between 16 September 2021 and 17 April 2022"--Title page recto.
*504  $aIncludes bibliographical references.
*5058 $tGhost in the shell /$rSelen Ansen --$tHanife Ölmez in conversation with Candeğer Furtun --$t[Text written on the occasion of Candeğer Furtun's 1994 exhibition at Maçka Art Gallery] /$rFüreya Koral --$tThe shudder of becoming dust /$rLatife Tekin --$tThe desperate grandeur of the ruins /$rDeniz Artun --$tIn the burning of an eye /$rPhoebe Cummings --$tCultural dialogues through clay meeting Candeğer Furtun /$rChristie Brown --$tMaster and apprentice, hand in hand /$rYasemin Özcan --$tThis is our "heavenhell" /$rSakine Çil --$tUnfinished ode to mud /$rFrancis Ponge --$tEarth is secretive /$rAyda Arel --$tCandeğer Furtun /$rGottfried Borrmann --$tCandeğer Furtun /$rMelike Abasıyanık Kurtiç --$tSculpture knows no boundaries /$rSeyhun Topuz.
*520  $a"From the 1960s onwards, Candeğer Furtun has produced ceramic works informed by problematics relating to life, philosophy, history, society and politics, featuring a wholly original approach in terms of both form and material. The artist's first retrospective exhibition brings together more than a hundred works reflecting her rich world of forms and textures, along with archival materials that closely document the research and production processes in her studio. The exhibited works manifest Furtun's contributions to the art of ceramics - which went through a significant transformation during the 1960s - as an artist who involved natural processes in her work by liberating the soil and allowing for coincidences in her artistic practice"--Arter website.
*546  $aIn English
*60010$aFurtun, Candeğer,$d1936-$vExhibitions.
*655 7$aExhibition catalogs.$2lcgft
*7001 $aAnsen, Selen$4edt$4orm
*7001 $aEvren, Süreyya$4edt
*7001 $aFurtun, Candeğer,$d1936-
*7102 $aARTER Space for Art$4his
*852  $5N$bN$hIbz Furtun, C.$j8:o
*887  $a{"@id":"q6dxcf30nwlfk4n4","modified":"2023-03-09T14:54:42.941+01:00"}$2librisxl
*887  $5N$a{"@id":"8qxgw1xc6z8l1j6d","modified":"2023-03-09T14:55:04.969+01:00"}$2librisxl
^