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Utgivning, distribution etc. Foundation Beyeler ; Kunstsammlung Nordrhein-Westfalen ; Riehen/Basel, Switzerland : Kunstmuseum Den Haag, Düsseldorf [Germany] : The Hague : [2022]
©2022
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DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Annan klassifikationskod
Fysisk beskrivning 263 pages illustrations (chiefly color), facsimiles, plans, portraits 27 cm
Anmärkning: Allmän Catalog of an exhibition held at the Fondation Beyeler, Riehen/Basel, June 5-October 9, 2022, and at K20, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, October 28, 2022-February 12, 2023--Colophon.
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Foreword and acknowledgements -- Evolution: Space and Plane Observations on Pictures by Piet Mondrian / Ulf Küster -- The Concentrated Gaze / Benno Tempel -- Catalogue -- Looking to Piet's Beat: Mondrian's Inaudible Rhythms / Caro Verbeek -- Mondrian Perceived / Bridget Riley -- Ciphers of the New Era: Four Works from the Kunstsammlung Norderhein-Westfalen / Kathrin Beßen and Susanne Meyer-Büser -- Piet Mondrian Biography / Charlotte Sarrazin -- Exhibited Works.
Anmärkning: Innehållsbeskrivning, sammanfattning Marking the 150th anniversary of the artist's birth, the Fondation Beyeler will devote an exhibition to the Dutch painter Piet Mondrian. Mondrian shaped the evolution of painting from figuration to abstraction. His early work was influenced not only by late 19th century Dutch landscape painting but also by Symbolism and Cubism. It was only in the early 1920s that he began concentrating on a wholly non-representational pictorial vocabulary consisting solely of rectilinear arrangements of black lines on a white background and the three primary colours blue, red and yellow. While the collection of the Fondation Beyeler focuses primarily on works from the later phases of Mondrian's career, the exhibition will look at his development as an artist up to the 1920s and the stylistic genesis of his later work. Separate sections will deal with motifs such as windmills, dunes and seascapes, the farmstead reflected in water and plants in various states of abstraction.
Personnamn Mondrian, Piet, 1872-1944 Criticism and interpretation. Mondrian, Piet, 1872-1944 Themes, motives. Mondrian, Piet, 1872-1944 Exhibitions. Mondrian, Piet, 1872-1944.
Kronologisk term
Genre/Form Biographies. Criticism, interpretation, etc. Exhibition catalogs. Exhibition catalogs.
Personnamn Keller, Sam, 1965- Utgivare, redaktör, sammanställare Küster, Ulf Utgivare, redaktör, sammanställare Bidragsgivare Tempel, Benno Bidragsgivare Gaensheimer, Susanne Utgivare, redaktör, sammanställare Verbeek, Caro Bidragsgivare Riley, Bridget Bidragsgivare Bessen, Kathrin, 1978- Utgivare, redaktör, sammanställare Bidragsgivare Meyer-Büser, Susanne Utgivare, redaktör, sammanställare Bidragsgivare Sarrazin, Charlotte Bidragsgivare
Institutionsnamn Fondation Beyeler his Kunstsammlung Nordrhein-Westfalen (Germany) his
Annat medium German book trade edition ISBN 9783775752367 English museum edition ISBN 9783906053691
ISBN 9783775752374 3775752374 9783775752367 3775752366 9783906053691 3906053695
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*24510$aMondrian evolution /$corganized by the Fondation Beyeler, Riehen/Basel, and the Kunstsammlung Nordrhein-Westfalen, Düsseldorf, in cooperation with the Kunstmuseum Den Haag, The Hague ; edited by Sam Keller and Ulf Küster for the Fondation Beyeler, as well as Susanne Gaensheimer, Kathrin Beßen, and Susanne Meyer-Büser for the Kunstsammlung Nordrhein-Westfalen.
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*500 $aCatalog of an exhibition held at the Fondation Beyeler, Riehen/Basel, June 5-October 9, 2022, and at K20, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, October 28, 2022-February 12, 2023--Colophon.
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*5208 $aMarking the 150th anniversary of the artist's birth, the Fondation Beyeler will devote an exhibition to the Dutch painter Piet Mondrian. Mondrian shaped the evolution of painting from figuration to abstraction. His early work was influenced not only by late 19th century Dutch landscape painting but also by Symbolism and Cubism. It was only in the early 1920s that he began concentrating on a wholly non-representational pictorial vocabulary consisting solely of rectilinear arrangements of black lines on a white background and the three primary colours blue, red and yellow. While the collection of the Fondation Beyeler focuses primarily on works from the later phases of Mondrian's career, the exhibition will look at his development as an artist up to the 1920s and the stylistic genesis of his later work. Separate sections will deal with motifs such as windmills, dunes and seascapes, the farmstead reflected in water and plants in various states of abstraction.
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