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Personnamn
Titel och upphov Lucinda Devlin : sightlines.
Varianttitel
Utgivning, distribution etc. Weatherspoon Art Museum, The University of North Carolina at Greensboro, Greensboro, NC : [2017]
Hickory printing solutions, Conover, NC : 2017
©2017
Fysisk beskrivning 1 volume (unpaged) color illustrations 31 x 31 cm
Anmärkning: Allmän Published in conjunction with the exhibition at the Weatherspoon Art Museum, January 28-April 23, 2017, and at the George Eastman Museum, June 24-December 31, 2017.
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Foreword and acknowledgments / Nancy Doll -- Introduction: Lucinda Devlin: sightlines / Elaine D. Gustafson -- Inside out: Lucinda Devlin's disembodied rooms and cultured spaces / Lisa Hostetler.
Anmärkning: Innehållsbeskrivning, sammanfattning Lucinda Devlin's photographs serve as social commentaries on timely and socially relevant issues such as personal rights, the death penalty, and agribusiness. An internationally recognized American photographer who now lives in Greensboro, Devlin began her career in the 1970s during the genesis of color photography in America. At the time, she took up not only color photography, but also the artistic approach that she continues to this day, one that emphasizes an objective or neutral point of view. Devlin also discovered her preferred subject matter: psychologically charged spaces absent of any human figures yet nonetheless signaling contemporary public and private life. Her earliest series, Pleasure Ground, featured droll images of thematic hotel rooms. Subsequent series (Habitats, Subterranea, Corporal Arenas, Field Culture, and Lake Pictures) have continued to probe the meaning of place at such sites as zoos and amusement parks, tanning salons and health spas, hospitals and funeral homes, agricultural facilities and open fields, and lastly, Lake Huron's shoreline. Her most provocative and best known series, The Omega Suites (so named after the final letter of the Greek alphabet), proffered emotive images of sterile execution chambers and the apparatuses associated with them. Organized by the Weatherspoon Art Museum, Lucinda Devlin: Sightlines is the artist's first museum retrospective. The exhibition features 83 photographs chosen from all eight of Devlin's series--many of which were printed for the first time for display in the Weatherspoon's main McDowell Gallery.
Personnamn Devlin, Lucinda Exhibitions. Devlin, Lucinda.
Genre/Form Exhibition catalogs. Exhibition catalogs.
Personnamn Doll, Nancy, 1947- Författare/medförfattare Gustafson, Elaine D. Författare/medförfattare Hostetler, Lisa, 1971- Författare/medförfattare
Institutionsnamn Weatherspoon Art Museum his George Eastman Museum his
ISBN
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*24510$aLucinda Devlin :$bsightlines.$cLucinda Devlin.
*2461 $aSightlines
*264 1$aGreensboro, NC :$bWeatherspoon Art Museum, The University of North Carolina at Greensboro,$c[2017]
*264 3$aConover, NC :$bHickory printing solutions,$c2017
*264 4$c©2017
*300 $a1 volume (unpaged)$bcolor illustrations$c31 x 31 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
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*500 $aPublished in conjunction with the exhibition at the Weatherspoon Art Museum, January 28-April 23, 2017, and at the George Eastman Museum, June 24-December 31, 2017.
*504 $aIncludes bibliographical references.
*5058 $aForeword and acknowledgments / Nancy Doll -- Introduction: Lucinda Devlin: sightlines / Elaine D. Gustafson -- Inside out: Lucinda Devlin's disembodied rooms and cultured spaces / Lisa Hostetler.
*520 $aLucinda Devlin's photographs serve as social commentaries on timely and socially relevant issues such as personal rights, the death penalty, and agribusiness. An internationally recognized American photographer who now lives in Greensboro, Devlin began her career in the 1970s during the genesis of color photography in America. At the time, she took up not only color photography, but also the artistic approach that she continues to this day, one that emphasizes an objective or neutral point of view. Devlin also discovered her preferred subject matter: psychologically charged spaces absent of any human figures yet nonetheless signaling contemporary public and private life. Her earliest series, Pleasure Ground, featured droll images of thematic hotel rooms. Subsequent series (Habitats, Subterranea, Corporal Arenas, Field Culture, and Lake Pictures) have continued to probe the meaning of place at such sites as zoos and amusement parks, tanning salons and health spas, hospitals and funeral homes, agricultural facilities and open fields, and lastly, Lake Huron's shoreline. Her most provocative and best known series, The Omega Suites (so named after the final letter of the Greek alphabet), proffered emotive images of sterile execution chambers and the apparatuses associated with them. Organized by the Weatherspoon Art Museum, Lucinda Devlin: Sightlines is the artist's first museum retrospective. The exhibition features 83 photographs chosen from all eight of Devlin's series--many of which were printed for the first time for display in the Weatherspoon's main McDowell Gallery.
*60010$aDevlin, Lucinda$vExhibitions.
*60017$aDevlin, Lucinda.$2fast
*655 7$aExhibition catalogs.$2fast
*655 7$aExhibition catalogs.$2lcgft
*7001 $aDoll, Nancy,$d1947-$4aut
*7001 $aGustafson, Elaine D.$4aut
*7001 $aHostetler, Lisa,$d1971-$4aut
*7102 $aWeatherspoon Art Museum$4his
*7102 $aGeorge Eastman Museum$4his
*852 $5N$bN$hIbz Devlin, L.$j4:o
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