Hylla
Personnamn Evans, Cécile B. Konstnär Konstnär
Titel och upphov
Varianttitel Cécile B. Evans - timeline for a copy without origins Seite 6 "This catalogue has been published on the occasion of the exhibition: Cécile B. Evans. Timeline for a copy without origins, January 30 - April 10, 2016" one thousand seven hundred seventy
Utgivning, distribution etc. Bielefelder Kunstverein im Waldhof, Bielefeld : [2017]
Sternberg Press, Berlin : [2017]
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Annan klassifikationskod
Fysisk beskrivning
Serietitel - ej biuppslagsform Catalogues for young artists ; no. 136
Anmärkning: Innehållsbeskrivning, sammanfattning "With (1770-25k) Cécile B. Evans presents materials from three recent video works included in her solo exhibition "Timeline for a Copy without Origins" (Bielefelder Kunstverein, January 30-April 10, 2016): Agnes (The End Is Near), Hyperlinks or It Didn't Happen, and What the Heart Wants. The amalgamations of text and image appear in the form of audiovisual transcripts, much of the material scavenged verbatim from popular culture and the user-generated web content of platforms like YouTube, Craigslist, and Reddit. Evans explores the themes of digital reproduction and transposition through existential discussions between characters such as AGNES, a bot commissioned for the Serpentine Galleries website, and PHIL, a bad copy of a very famous actor"--Publisher's website
Personnamn
Indexterm - Okontrollerad Art Video art Evans, Cécile B. Germany Exhibition catalogs
Genre/Form
Personnamn Thiel, Thomas Utgivare, redaktör, sammanställare Utgivare, redaktör, sammanställare
Institutionsnamn Bielefelder Kunstverein orm orm
Konferensnamn Exhibition Cécile B. Evans. Timeline for a Copy without Origins 2016.01.30-04.10 Bielefeld
ISBN
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*001114177
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*008220601s2017 gw |||||||||||000 0|eng|d
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*035 $a(DE-601)1019720441
*035 $a(SE-LIBR)k03grmlbh07ldwck
*041 $aeng
*044 $cXA-DE
*08200$a776.6092
*08200$a770
*084 $aIbhd$2kssb/8 (machine generated)
*084 $aPn$2kssb/8 (machine generated)
*1001 $aEvans, Cécile B.$4art$4art
*24510$a(1770-25k) /$cCécile B. Evans ; editors: Cécile B. Evans, Thomas Thiel, Bielefelder Kunstverein.
*2461 $aCécile B. Evans - timeline for a copy without origins
*2461 $iSeite 6$a"This catalogue has been published on the occasion of the exhibition: Cécile B. Evans. Timeline for a copy without origins, January 30 - April 10, 2016"
*24610$aone thousand seven hundred seventy
*26431$aBielefeld :$bBielefelder Kunstverein im Waldhof,$c[2017]
*26431$aBerlin :$bSternberg Press,$c[2017]
*300 $a304 Seiten$c21 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*4900 $aCatalogues for young artists ;$vno. 136
*520 $a"With (1770-25k) Cécile B. Evans presents materials from three recent video works included in her solo exhibition "Timeline for a Copy without Origins" (Bielefelder Kunstverein, January 30-April 10, 2016): Agnes (The End Is Near), Hyperlinks or It Didn't Happen, and What the Heart Wants. The amalgamations of text and image appear in the form of audiovisual transcripts, much of the material scavenged verbatim from popular culture and the user-generated web content of platforms like YouTube, Craigslist, and Reddit. Evans explores the themes of digital reproduction and transposition through existential discussions between characters such as AGNES, a bot commissioned for the Serpentine Galleries website, and PHIL, a bad copy of a very famous actor"--Publisher's website
*60017$aEvans, Cécile B.,$d1983-$2gnd
*653 $aArt
*653 $aVideo art
*653 $aEvans, Cécile B.
*653 $aGermany
*653 $aExhibition catalogs
*655 7$aAusstellungskatalog$2gnd-content
*7001 $aThiel, Thomas$4edt$4edt
*7102 $aBielefelder Kunstverein$4orm$4orm
*7112 $aExhibition Cécile B. Evans. Timeline for a Copy without Origins$d2016.01.30-04.10$cBielefeld
*852 $5N$bN$hIbz Evans, C. B.$j8:o
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