KONST - FOTOGRAFI - DESIGN

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*020  $a9783791354460$q(English trade edition)
*020  $a3791354469$q(English trade edition)
*035  $a(OCoLC)ocn898530097
*035  $a(OCoLC)898530097
*035  $a(SE-LIBR)18022978
*041  $aeng
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*08204$a700.411082$223/swe
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*24510$aFeminist avant-garde :$bart of the 1970s : The Sammlung Verbund Collection, Vienna /$cEdited and curated by Gabriele Schor.
*264 1$aMunich :$bPrestel,$c[2016]
*264 4$c©2016
*300  $a559 pages$billustrations (some color)$c29 cm
*336  $astill image$bsti$2rdacontent
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*500  $aCatalog of a traveling exhibition of the same name held from 2010-2019.
*504  $aContains bibliographical references (pages 536-557).
*5058 $tOn the Identity of the Sammlung Verbund Collection, Vienna /$rGabriele Schor --$tThe Feminist Avant-Garde : A Radical Revaluation of Values /$rGabriele Schor --$tThe Fourth Wall Turns pensive: Feminist Experiments with the Camera /$rMechtild Widrich --$tPresence and Absence: On the Legacy of 1970s Performance Art /$rMerle Radtke --$tVienna's Female Actionists: Feminist Positions in Austria /$rBrigitte Borchhardt-Birbaumer --$gWorks from the Sammlung Verbund Collection, Vienna.$tHelena Almeida: Inhabiting Art /$rTeresa Grandas --$tLetícia Parente: The Body and the Opus as a Witness of Times /$rMirtes Marins de Oliveria --$tEleanor Antin: Resisting Representation /$rAbigail Solomon-Godeau --$tLorraine O'Grady: Mlle Bourgeoise Noire /$rGabriele Schor --$tTeresa Burga: Diverse Worlds /$rBrigitte Kölle --$tMary Beth Edelson: "The Goddess Is Us" /$rNora Höglinger --$tMargot Pilz: Psychoanalytical-Performative Photography /$rEva Krauthaker --$tEsther Ferrer: Reduction as Resistance /$rLuisa Pauline Fink --$tKetty La Rocca: Reduction of Language /$rAngelandreina Rorro --$tNil Yalter: Performing "The Other" /$rMichelle Marie Roy --$tGina Pane: "A Glass of Hot Milk" /$rDaniela Hahn --$tCarolee Schneemann: Theater of Responsiveness /$rJenni Sorkin --$tAnneke Barger: The Possibilities of the Moment /$rAstrid Helen Windingstad --$tJudy Chicago: A Struggle for Equality /$rJulia Garimorth --$tLinda Christanell: Finger Fan and the Wings of Androgyny /$rBrigitte Borchhardt-Birbaumer --$tKarin Mack: In the Theater of Self-Events /$rMargit Zuckriegl --$tHannah Wilke: Superstar /$rBeate Söntgen --$tValie Export: Body Cinema /$rMechtild Widrich --$tLili Dujourie: Poetic Strategies /$rSophie Lauwers --$tMarcella Campagnano: The Invention of Femininity /$rDaniela Hahn --$tLynda Benglis: Notations of Self /$rCatherine J. Morris --$tLynn Hershman Leeson: Identity Circuit --$tKatalin Ladik: To Reclaim the Female Body /$rEmese Kürti --$tJudith Bernstein: Vertical /$rHeather Jones --$tUlrike Rosenbach: Feminist Incursion /$rTheresa Dann --$tMartha Rosler: The Home as a Battlefield /$rInka Graeve Ingelmann --$tRenate Bertlmann: Unmasks Society /$rJessica Morgan --$tKirsten Justesen: Performing Sculpture - Feministically /$rBirgitte Anderberg --$tLeslie Labowitz and Suzanne Lacy: In Mourning and in Rage /$rMerle Radtke --$tEwa Partum: The Significance of the Female Body /$rEva Badura-Triska --$tFriederike Pezold: The New Embodied Sign Language /$rGislind Nabakowski --$tSuzanne Santoro: Towards New Expression /$rGiovanna Zapperi --$tRita Myers: A Revision of the Well-Proportioned Human Being /$rMerle Radtke --$tSuzy Lake: On the Politics of Role-Play /$rGabriele Schor --$tMartha Wilson: Feminist and Political Performance Artist /$rHanne Beate Ueland --$tAlexis Hunter: Touching Points, Points of Touch /$rPatricia Allmer --$tAnnegret Soltau: Spinning, Enmeshing, Sewing - Emancipatory String-Games /$rLeena Crasemann --$tOrlan: Exposed Body, Body for Sale /$rCamille Morineau --$tPenny Slinger: Exorcism Exercises /$rAngela Stief --$tAna Mendieta: The State of "In-Between" /$rStephanie Rosenthal --$tRenate Eisenegger: "My Rage Was My Starting Point" /$rGabriele Schor --$tBirgit Jürgenssen: Body as Art Against the Semiotics of Capital /$rPeter Weibel --$tSanja Iveković: Woman as Political Subject /$rRoxana Marcoci --$tBrigitte Lang: Metal, Skin-Tight /$rBrigitte Borchhardt-Birbaumer --$tLydia Schouten: "How Does It Feel To Be A Sexobject" /$rMirjam Westen --$tFrancesca Woodman: Photographic Tableaux Vivants /$rElisabeth Bronfen --$tCindy Sherman: Subversive Metamorphoses /$rGabriele Schor ---$tArtists Biographies /$rTheresa Dann --$tTimeline 1968-1980 /$rDaniela Hahn --$tSelected Bibliography /$rTheresa Dahn.
*520  $a"With greater energy than any artistic movement before, the feminist avant-garde of the 1970s deconstructed society's image of womanhood, dismantling centuries' worth of projections, stereotypes, and male hegemony. For the first time in the history of art, women, in an act of collective consciousness-raising, took the representation of their sex in visual art into their own hands and unfolded a wide spectrum of self-determined female identies: provocative and radical, poetic and ironic. Gabriele Schor, director of the SAMMLUNG VERBUND Collection, coined the term the Feminist Avant-Garde in order to highlight the pioneering achievements of these artists. This book presents over six hundred works in the SAMMLUNG VERBUND Collection created by forty-eight women artists. Established in Vienna in 2004 by VERBUND AG, Austria's leading electricity provider and one of the largest producers of hydropower in Europe, the collection has two main foci: "Perceptions of Spaces and Places" and the "Feminist Avant-Garde of the 1970s".$cPublisher
*61020$aSammlung Verbund$vExhibitions.
*7001 $aSchor, Gabriele$4edt
*852  $5N$bN$h21/213
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*950  $6650$aKonst och feminism$uFeminism och konst
*950  $6650$wg$aKonst$uFeminism och konst
*950  $6650$wg$aKonstnärer$uKvinnliga konstnärer
*950  $6650$wh$aKvinnliga grafiker$uKvinnliga konstnärer
*950  $6650$wh$aKvinnliga tecknare$uKvinnliga konstnärer
*950  $6650$wh$aKvinnliga keramiker$uKvinnliga konstnärer
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