KONST - FOTOGRAFI - DESIGN

*00006353cam a22004333i 4500
*001109265
*00520201029111046.0
*008201029t20192019gw ach|||b||||000 0|eng|d
*020  $a9783960986829$q(half cloth)
*020  $a3960986823$q(half cloth)
*024  $a9783960986829
*035  $a(SE-LIBR)jwsn9mw9gvbd0p8q
*041  $aeng
*050 4$aN7433.4.T967
*08204$a702.9$223
*084  $aIiu$2kssb/8 (machine generated)
*24510$aRichard Tuttle :$ba fair sampling : collected writings 1966-2019 /$cedited and with an introduction by Dieter Schwarz.
*24610$aFair sampling :$bcollected writings 1966-2019
*264 1$aKöln :$bVerlag der Buchhandlung Walther König,$c[2019]
*264 4$c©2019
*300  $a502 pages$billustrations (chiefly color), facsimiles, portraits$c18 x 18 cm
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*504  $aIncludes bibliographical references.
*505  $aIntroduction / Dieter Schwarz -- On Art. For "ABC Art" -- 150 Words on My Art -- For Documenta 5 -- On Documenta 5 -- Someone once asked me... -- The problem with saying something about art... -- Say, in a Constable painting... -- For Karl Hikade -- Charge to Exist -- Answer to Seth Siegelaub -- Thesis, Antithesis, Synthesis -- Letter to a Young Artist -- Madness as Metaphor; Finding a Visual Way to Art History -- On Works and Exhibitions. How to duplicate your cloth piece a thousand times -- For "Using Walls" -- The 11th Paper Octagonal -- Dear Dr. Herbig... -- Time Measurement and Interlude's Time -- For "White in Art is White?" -- Three Shows in Rome at Galleria -- Ugo Ferranti, 1975, 1977, 1978 -- Untitled, 1978 -- For Stedelijk Museum, Amsterdam -- On Line -- Pairs -- Snow -- For Mönchengladbach -- The Good and Color -- The Baroque and Color -- For "Skulptur Projekte in Münster" -- Portland Works -- Folded Space -- North-South Axis -- I would like to write about... -- Replace the Abstract, Picture Plane (1996) -- Gray Walls Work -- Answer to Loretta Yarlow -- Community -- Museum Haus Lange -- For Venice Biennale -- Replace the Abstract Picture Plane (2001) -- Something is Happening -- Village I-V -- Unfolded -- Dublin -- Building a House -- For "I Don't Know, The Weave of Textile Language" and "Both/And" -- Trio -- Reflections from Malmö, Sweden -- Five Appendices written by Henry Lane -- Link -- For "Agnes Martin, Richard Tuttle: Crossing Lines" -- My Birthday Puzzle -- What Energy -- Libretto -- Thoughts of Trees -- Dear Cho sama -- A Flow of Its Own -- On Drawing. Four Drawings -- For "List of Drawing Material" -- 40 Tage -- Memento /cENTER -- The Kreutzer Sonata -- Starting Point -- "Why Draw?" -- On Paper, Books and Prints. Stacked Color Drawings -- On Artists' Books -- Lonesome Cowboy Styrofoam as Literature -- Paper is Place -- One Voice in Four Parts (I) -- One Voice in Four Parts (II) -- On the Book "Perceived Obstacles" -- Costume -- Type -- Naked -- What is A Print? -- On Collecting Prints -- A Connoisseurship of Metaphor -- On Prints -- About "Looking For Love" -- For "Pure Pulp" -- When, Ever, and If -- Exordium: The King's Waiting Room -- Can Paper Be the Thing, Recorded and Stored? -- The Graphic Mark And The Unknown -- On Textiles. Indonesian Textiles -- A Structure of Space -- Weave In, Weave Out
*505  $aOn Artists and Friends. On Kathleen Cooke -- Ruth Vollmer -- On Richard Serra -- Ruth's Sculpture -- Newton / Velázquez -- A Love Letter to Fontana -- Love, the way love is... -- Crickets -- First meeting with Alma -- Negotiated Stalks -- Susan's Little Landscape -- From Some Source -- What Does One Look At When One Looks At Agnes Martin? -- On Wallace Berman -- Fluidity -- By Night -- The Thrill Of The Ideal -- A Meeting in Light -- Creating A Picture -- Comprehending - Reflection -- Dieter Schwarz -- Agnes's Destiny -- A Writing for Jan -- End of Year: Cleaning of The House -- Jack -- Agnes Martin / Ad Reinhardt -- On James Ensor -- Uncle Ho's Poetry -- White, In Light -- On Various Subjects. Letters to Jörg Johnen -- Light Music -- Epilogue to "Literary Vision" -- Notes for Sleep Time -- Octavo for Annemarie -- Nature-Media -- Augustus -- Making Silver -- Talks. "When People Say Art And Life Are One, Why Does It Make Me Angry?" -- Layering -- For "Making Silver" -- An Open Door -- How Much Can You Stand, Informality? -- Why Do Things Go Better When I Start Off Admitting, I AM CONFUSED? -- I wonder what beauty means to me? -- What Sanskrit Means to Me -- In Praise of Islam -- Art Helps You, See What Exists -- Is "The Line" Fulmination? -- Does My Child Know I Am Real? -- Travel Notes. For "je/nous ik/wij" -- From Sketchbooks -- À Bordeaux -- Riding through Central Park -- Ice Floats -- Interview -- The people of Bordeaux... -- New York -- Sitting overlooking Santa Fe... -- What Objects I Am Showing -- In the mid '70s... -- Unfolding -- Arriving in Ireland -- Fiction II (the airplane text) -- A Fiction (Peru texts) -- Poems. Eight Words from a Reading at Brooklyn College -- Poems -- Fashion All Her Life -- Pain and Construction of Envy -- 100 Epigrams for Chicago -- 5 Poems -- Gratitude -- It Seems Like It's Going to Be -- When Phillips... -- Without Focus -- A Song -- Illustrations.
*520  $aFor over fifty years Richard Tuttle created a comprehensive oeuvre that touches on several media and genres. He also composed texts, mostly in answer to requests for specific purposes. He saw writing as artistic expression, based on the model of the artist-poet tradition in Asian culture. This volume brings together many hitherto unpublished texts.
*60010$aTuttle, Richard,$d1941-
*60017$aTuttle, Richard,$d1941-$2fast
*70012$aTuttle, Richard,$d1941-$tWorks.$kSelections.
*700  $aSchwarz, Dieter,$d1953-$4edt$4aui
*852  $5N$bN$h20/094
*887  $a{"@id":"jwsn9mw9gvbd0p8q","modified":"2020-10-29T11:10:46.121+01:00","checksum":"142150656279"}$2librisxl
*887  $5N$a{"@id":"7lhc0dxh54vvlbjz","modified":"2020-10-29T11:11:00.011+01:00","checksum":"127772680885"}$2librisxl
^