Hylla
Personnamn De Lucca, Valeria, ca. 20./21. Jh. Författare/medförfattare Författare/medförfattare
Titel och upphov The politics of princely entertainment : music and spectacle in the lives of Lorenzo Onofrio and Maria Mancini Colonna (1659-1689)
Utgivning, distribution etc. Oxford University Press, New York : [2020]
© 2020
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod 306.09 307.09 330.09 780.9 MUS Kt Oabb Qa:k
Annan klassifikationskod
Fysisk beskrivning xiii, 389 Seiten Illustrationen
Anmärkning: Allmän
Anmärkning: Innehåll The Colonna, Aristocratic Culture and the Display of Power in Seventeenth-Century Rome -- "Dalle sponde del Tebro alle rive dell'Adria" : The Colonna and the Public Theaters of Venice -- "All'uso di Venezia" : The Teatro Tordinona -- Staging a Public Response : Maria Mancini Colonna's Patronage in Rome -- Music and Theater in Rome after the Teatro Tordinona -- The Spanish Years -- Teatro Colonna (1682-1686) -- "Vive scintille dell'onor Romano": Colonna Viceroy of Naples (1687-1688).
Anmärkning: Innehållsbeskrivning, sammanfattning ""The Politics of Princely Entertainment explores the transformations in the politics of entertainment of the Italian aristocratic classes during the second half of the seventeenth century, at a time in which profound social and cultural shifts influenced the production and consumption of music in radical ways. The emergence of commercial theaters in the 1630s in Venice and the great appeal that opera began to have on a large and international audience required the aristocracy to take up a new role within the complex network of agents responsible for the production not only of opera but of music in general. The increasing competition between commercial opera theaters, ruling courts, aristocratic families and religious institutions and the consequent professionalization of roles that previously relied solely on patronage meant that singers, poets and composers acquired unprecedented negotiating power. This books explores these questions following the journeys and ventures of two of the most prominent patrons in seventeenth-century Italy, Prince Lorenzo Onofrio Colonna and his wife Maria Mancini. During the thirty years under exam, 1659-1689, the Colonna were the most influential and active agents in the musical life of Rome: they sponsored an unprecedented number of operas, serenatas, oratorios, public ceremonies and carnival parades while supporting the careers of the most prominent composers, librettists, musicians and singers of the time. Following Prince Colonna and his wife through their personal and institutional travels to Venice, Spain, as Viceroyalties of the Kingdom of Aragon, and later Naples, this book traces the journeys not only of scores and librettos, but also of the singers, composers and librettists whose art reached these far away corners of Europe, changing and transforming to serve diverse social and political purposes.""--.
Personnamn Colonna, Lorenzo Onofrio, 1637-1689 Mancini, Maria, 1639-1715
Kronologisk term
Geografiskt namn
Indexterm - Okontrollerad Music / Italy / 17th century / History and criticism Opera / Italy / 17th century Music patronage / Italy / History / 17th century Music Music patronage Opera Colonna, Lorenzo Onofrio / 1637-1689 Mancini, Maria / 1639-1715 Italy 1600-1699 Criticism, interpretation, etc History
Genre/Form
Annat medium Online version: De Lucca, Valeria. The politics of princely entertainment New York : Oxford University Press, 2020 ISBN 9780190631154.
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*505 $aThe Colonna, Aristocratic Culture and the Display of Power in Seventeenth-Century Rome -- "Dalle sponde del Tebro alle rive dell'Adria" : The Colonna and the Public Theaters of Venice -- "All'uso di Venezia" : The Teatro Tordinona -- Staging a Public Response : Maria Mancini Colonna's Patronage in Rome -- Music and Theater in Rome after the Teatro Tordinona -- The Spanish Years -- Teatro Colonna (1682-1686) -- "Vive scintille dell'onor Romano": Colonna Viceroy of Naples (1687-1688).
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