Hylla
Personnamn Perloff, Nancy, Författare/medförfattare
Titel och upphov Explodity : sound, image, and word in Russian futurist book art
Utgivning, distribution etc. Los Angeles : Getty Research Institute, [2016]
©2016
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning vii, 199 pages : illustrations
Anmärkning: Allmän "The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning "beyond the mind") that was distinctive in its emphasis on "sound as such" and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book."--ECIP data view.
Anmärkning: Bibliografi etc. Includes bibliographical references and index.
Anmärkning: Innehåll From the provinces: anticipations of Mirskontsa -- Sounding the accidental ("death to symbolism") -- Mirskontsa: collaborative book art and transrational sounds -- Unlocking the semantics of sound in vzorval' -- The afterlife of Russian futurist book art.
Kronologisk term
Geografiskt namn
Genre/Form Criticism, interpretation, etc. History.
Institutionsnamn Getty Research Institute, issuing body.
ISBN
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*001105920
*00520180108091924.0
*008160329t20162016caua 001 0 eng c
*020 $a9781606065082
*020 $a1606065084
*035 $a(OCoLC)ocn950519462
*035 $a(SE-LIBR)19790557
*05000$aPG3065.F8$bP47 2016
*08200$a709.04082$223
*1001 $aPerloff, Nancy,$4aut
*24510$aExplodity :$bsound, image, and word in Russian futurist book art /$cNancy Perloff.
*260 $aLos Angeles :$bGetty Research Institute,$ccop. 2016
*264 1$aLos Angeles :$bGetty Research Institute,$c[2016]
*264 4$c©2016
*300 $avii, 199 pages :$billustrations
*336 $atext$2rdacontent
*337 $aunmediated$2rdamedia
*338 $avolume$2rdacarrier
*500 $a"The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning "beyond the mind") that was distinctive in its emphasis on "sound as such" and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book."--ECIP data view.
*504 $aIncludes bibliographical references and index.
*5052 $aFrom the provinces: anticipations of Mirskontsa -- Sounding the accidental ("death to symbolism") -- Mirskontsa: collaborative book art and transrational sounds -- Unlocking the semantics of sound in vzorval' -- The afterlife of Russian futurist book art.
*648 7$a1900-1999$2fast
*651 4$aRyssland$0https://id.kb.se/term/sao/Ryssland$2sao
*651 7$aRussia.$2fast
*655 7$aCriticism, interpretation, etc.$2fast
*655 7$aHistory.$2fast
*7102 $aGetty Research Institute,$eissuing body.
*852 $5N$bN$h18/214
*950 $aFuturismen (konst)$w||e$uFuturism (konst)
*950 $aFuturismen$xkonsthistoria$uFuturism (konst)
*950 $aModernism (konst)$wg$uFuturism (konst)
*950 $aFuturismen (litteratur)$w||e$uFuturism (litteratur)
*950 $aFuturismen$xlitteraturhistoria$uFuturism (litteratur)
*950 $aLitterära riktningar$wg$uFuturism (litteratur)
*950 $aBokformgivare$uBokkonstnärer
*950 $aFormgivare$wg$uBokkonstnärer
^
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