Hylla
Personnamn Stols-Witlox, Maartje, author.
Titel och upphov A perfect ground : preparatory layers for oil paintings, 1550-1900
Utgivning, distribution etc. London : Archetype Publications, 2017.
©2017
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Fysisk beskrivning xvi, 391 pages : illustrations (chiefly color) ; 26 cm
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 328-383) and index.
Anmärkning: Innehållsbeskrivning, sammanfattning Grounds, or preparatory layers, form the basis upon which all artistic paintings are executed and can have a great impact on the "success" of a painting, influencing both its aesthetic qualities and its longevity. Artists in different locations and at different times selected various materials and techniques to prepare their supports for painting. The subject of grounds also occupied the minds of the authors of artists' manuals, recipe books and related historical sources. They wrote about ground colour and the devastating effect a faulty ground could have on the long-term stability of a painting, discussing materials, application methods, ground texture and its effects on the visual qualities of paintings. A Perfect Ground is the first comprehensive study of the materials and techniques described in historical recipes for ground layers, focusing on North West Europe during the period 1550-1900. It evaluates these recipes, places them within a time frame and investigates geographical differences. The role of recipe books in the daily life of painters is examined as is the influence of commercial ground preparation on painting practice and the relationship between written recipes and actual life in the painter's studio.
ISBN
*00002355cam a2200301Ii 4500
*001104184
*00520180205105512.0
*008150430t20172017enka b 001 0 eng d
*020 $a9781909492356$q(hardback)
*020 $a1909492353$q(hardback)
*035 $a(OCoLC)ocn908334967
*035 $a(SE-LIBR)22420397
*050 4$aND1471$b.S76 2017
*08204$a751.4/09$223
*1001 $aStols-Witlox, Maartje,$eauthor.
*24512$aA perfect ground :$bpreparatory layers for oil paintings, 1550-1900 /$cMaartje Stols-Witlox.
*264 1$aLondon :$bArchetype Publications,$c2017.
*264 4$c©2017
*300 $axvi, 391 pages :$billustrations (chiefly color) ;$c26 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*504 $aIncludes bibliographical references (pages 328-383) and index.
*5208 $aGrounds, or preparatory layers, form the basis upon which all artistic paintings are executed and can have a great impact on the "success" of a painting, influencing both its aesthetic qualities and its longevity. Artists in different locations and at different times selected various materials and techniques to prepare their supports for painting. The subject of grounds also occupied the minds of the authors of artists' manuals, recipe books and related historical sources. They wrote about ground colour and the devastating effect a faulty ground could have on the long-term stability of a painting, discussing materials, application methods, ground texture and its effects on the visual qualities of paintings. A Perfect Ground is the first comprehensive study of the materials and techniques described in historical recipes for ground layers, focusing on North West Europe during the period 1550-1900. It evaluates these recipes, places them within a time frame and investigates geographical differences. The role of recipe books in the daily life of painters is examined as is the influence of commercial ground preparation on painting practice and the relationship between written recipes and actual life in the painter's studio.
*852 $5N$bN$hDep Konservering
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