Hylla
Personnamn Pollen, Annebella Författare/medförfattare
Titel och upphov More than a snapshot : a visual history of photo wallets
Utgivning, distribution etc. Four Corners Books, London : 2023
©2023
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Annan klassifikationskod
Fysisk beskrivning 110 pages colour illustrations 23 cm
Serietitel - ej biuppslagsform Four Corners irregulars ; no. 10
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehållsbeskrivning, sammanfattning For over 100 years, when you’d often have to wait a week to see your photos, film processors used photo wallets - cheery illustrated envelopes - to return your pictures to you. They showed what subjects were considered suitable for a snapshot: bright-eyed children, laughing couples, adorable pets and perfect landscapes; they also reinforced prohibitions by what they omitted. Drawing from the author’s personal collection of photo wallets from the 1900s to the 1990s, Annebella Pollen's book charts a century of popular photography in Britain: the birth of a new mass leisure pastime mainly marketed towards women, the growth of camera ownership after the Second World War, and behind it all, the working conditions of the people processing the films. It commemorates a time when you never knew if you had captured a treasured memory or your finger in front of the lens. -- supplied by the publisher.
Kronologisk term
Genre/Form
Seriebiuppslag under titel Four Corners irregulars ; no. 10
ISBN
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*008231017s2023 enka||||||||||000 0|eng|d
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*020 $a9781909829220
*035 $a(OCoLC)on1374813327
*035 $a(SE-LIBR)m454h03nk97lxnrx
*041 $aeng
*050 4$aTR15
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*084 $aInb$2kssb/8 (machine generated)
*1001 $aPollen, Annebella$4aut
*24510$aMore than a snapshot :$ba visual history of photo wallets /$cAnnabella Pollen.
*264 1$aLondon :$bFour Corners Books,$c2023
*264 4$c©2023
*300 $a110 pages$bcolour illustrations$c23 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
*338 $avolume$bnc$2rdacarrier
*4901 $aFour Corners irregulars ;$vno. 10
*504 $aIncludes bibliographical references.
*520 $aFor over 100 years, when you’d often have to wait a week to see your photos, film processors used photo wallets - cheery illustrated envelopes - to return your pictures to you. They showed what subjects were considered suitable for a snapshot: bright-eyed children, laughing couples, adorable pets and perfect landscapes; they also reinforced prohibitions by what they omitted. Drawing from the author’s personal collection of photo wallets from the 1900s to the 1990s, Annebella Pollen's book charts a century of popular photography in Britain: the birth of a new mass leisure pastime mainly marketed towards women, the growth of camera ownership after the Second World War, and behind it all, the working conditions of the people processing the films. It commemorates a time when you never knew if you had captured a treasured memory or your finger in front of the lens. -- supplied by the publisher.
*648 7$a1900-1999$2fast
*655 7$aHistory.$2fast
*830 0$aFour Corners irregulars ;$vno. 10
*852 $5N$bN$h23/325
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*887 $5N$a{"@id":"j121d0dwg7k9bjxk","modified":"2023-10-17T15:10:37.617+02:00"}$2librisxl
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