KONST - FOTOGRAFI - DESIGN

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*050 4$aN7359.K878$bA4x 2014
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*084  $aIbz Kusama, Yayoi$2kssb/8
*1001 $aKusama, Yayoi$4art
*24510$aYayoi Kusama :$bI who have arrived in heaven /$ctext by Akira Tatehata ; poem by Yayoi Kusama.
*24630$aI who have arrived in heaven
*260  $aNew York :$bDavid Zwirner,$c[2014]
*300  $a1 volume (unpaged) :$bcolor illustrations, portraits ;$c33 cm
*336  $atext$btxt$2rdacontent
*337  $aunmediated$bn$2rdamedia
*338  $avolume$bnc$2rdacarrier
*500  $aCatalog of an exhibition held at David Zwirner, New York, Nov. 8-Dec. 21, 2013.
*5050 $aLove and salvation: homage to Yayoi Kusama / Akira Tatehata -- Paintings: -- Woman with pink hair, 2013 -- Where the youth is, 2013 -- Green solitude, 2013 -- I who have lost love, 2013 -- Traveling to the far corner of the earth, 2012 -- Tale of the universe, 2013 -- Mystery of the universe, 2013 -- Flowers in a memory, 2013 -- Brilliance of life, 2013 -- Standing at the flower bed, 2013 -- My visionary life, 2013 -- Everything about my love, 2013 -- Praying for peace in the world, 2013 -- My youth, 2013 -- Morning has come, 2013 -- Party in the dead of night, 2013 -- Days of a continual war, 2012 -- Screaming to the sun, 2013 -- Pensive night, 2013 -- My heart, 2013 -- Way to my love, 2013 -- Women in the memories, 2013 -- Dance party night, 2013 -- All the love overflowing, 2013 -- Road to eternity, 2013 -- My heart soaring in the sunset, 2013 -- Searching for love, 2013 -- Installations: -- Love is calling, 2013 -- Song of a Manhattan suicide addict, 2010-present -- Infinity mirrored room-the souls of millions of light years away, 2013 -- After the battle, I want to die at the end of the universe / Yayoi Kusama.
*520  $aOverview: Yayoi Kusama: I Who Have Arrived in Heaven features new work from the artist's critically acclaimed 2013 inaugural exhibition at David Zwirner, which spanned the gallery's three locations in New York. Kusama's extraordinary and highly influential career spans paintings, performances, room-size presentations, outdoor sculptural installations, literary works, films, fashion, design and interventions within existing architectural structures. Opening this book is a series of exquisitely produced color plates of brightly colored, large-format square paintings. Part of a recent body of work, they allude to universal spheres or basic life forms and highlight Kusama's unique amalgamation of representational and nonrepresentational subject matter. Also featured is the video installation, Song of a Manhattan Suicide Addict, in which the artist herself is seen performing a song she composed while an animated slideshow of selected artworks moves behind her and the two mirrored infinity rooms. Infinity Mirrored Room-The Souls of Millions of Light Years Away encompassed a cube-shaped, mirror-paneled room that featured a shallow reflecting pool as its floor; hundreds of multicolored LED lights were suspended at varying heights from the ceiling, flickering on and off in a strobelike effect. Another mirrored infinity room, Love Is Calling, stands as one of Kusama's most immersive, kaleidoscopic environments to date. It was composed of a darkened, mirrored room illuminated by inflatable, tentacle-like forms-covered in the artist's characteristic polka dots--that extended from the floor and ceiling, gradually changing colors.
*60010$aKusama, Yayoi$vExhibitions.
*60014$aKusama, Yayoi,$d1929-
*648 7$a1900 - 2099$2fast
*651 7$aJapan.$2fast
*655 7$aExhibition catalogs.$2fast
*655 7$aUtställningskataloger$2saogf
*7001 $aTatehata, Akira,$d1947-$4oth
*7102 $aDavid Zwirner (Gallery)$4pbl
*852  $5N$bN$hIbz Kusama, Y.$j4:o
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