Hylla
Personnamn Rottner, Nadja Författare/medförfattare
Titel och upphov Claes Oldenburg's theater of vision : poetry, sculpture, film, and performance art
Utgivning, distribution etc. Routledge, New York, NY : 2024
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Annan klassifikationskod
Fysisk beskrivning xii, 244 pages chiefly illustrations (some color) 26 cm.
Serietitel - ej biuppslagsform Routledge research in art history
Anmärkning: Bibliografi etc. Includes bibliographical references (pages 220-234) and index.
Anmärkning: Innehåll Introduction: Intermedial and Metaphorical Being -- Rips out of Reality, or the Camera Eye in The Street -- Annihilate-Illuminate: Photography, Polysemy, and Performance -- The Mind as Storehouse -- A Cinema without Film -- Epilogue: Art as Gesture.
Anmärkning: Innehållsbeskrivning, sammanfattning "In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg's poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg's art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961-62), effectively setting in place a reexamination of Oldenburg's pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory"-- Provided by publisher.
Personnamn Oldenburg, Claes, 1929-2022 Criticism and interpretation.
Annat medium Online version: Rottner, Nadja. Claes Oldenburg's theater of vision New York, NY : Routledge, 2024 ISBN 9781003375357
Seriebiuppslag under titel Routledge research in art history
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*504 $aIncludes bibliographical references (pages 220-234) and index.
*5058 $aIntroduction: Intermedial and Metaphorical Being -- Rips out of Reality, or the Camera Eye in The Street -- Annihilate-Illuminate: Photography, Polysemy, and Performance -- The Mind as Storehouse -- A Cinema without Film -- Epilogue: Art as Gesture.
*520 $a"In four chronologically organized chapters, this study traces the conceptual dependence and deep connectivity among Claes Oldenburg's poetry, sculpture, films, and performance art between 1956 and 1965. This research-intensive book argues that Oldenburg's art relies on machine vision and other metaphors to visualize the structure and image content of human thought as an artistic problem. Anchored in new oral history interviews and extensive archival material, it brings together understudied visual and concrete poetry, experimental films, fifteen group performances (commonly referred to as happenings), and a close analysis of his well-known installations of The Street (1960) and The Store (1961-62), effectively setting in place a reexamination of Oldenburg's pop art from the street, store, home, and cinema years. The book will be of interest to scholars working in art history, film studies, performance studies, literature, intermedia studies, and media theory"--$cProvided by publisher.
*60010$aOldenburg, Claes,$d1929-2022$xCriticism and interpretation.
*77608$iOnline version:$aRottner, Nadja.$tClaes Oldenburg's theater of vision$dNew York, NY : Routledge, 2024$z9781003375357
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