Hylla Ibz Saint Phalle, N. de 8:o
Personnamn Dawsey, Jill. Författare/medförfattare
Titel och upphov Niki de Saint Phalle in the 1960s
Utgivning, distribution etc. The Menil Collection, Houston, TX : [2021]
©2021
DDC klassifikationskod (Dewey Decimal Classification)
SAB klassifikationskod
Annan klassifikationskod
Fysisk beskrivning 242 pages illustrations (chiefly color), portraits 27 cm
Anmärkning: Bibliografi etc. Includes bibliographical references.
Anmärkning: Innehåll Chronology of Tirs Séances: Niki de Saint Phalle's shooting sessions, 1961-1972 / The outside world: Niki de Saint Phalle's Tirs and American art, 1961-1963 / The first free women: Niki de Saint Phalle's Nanas / Works of art -- Niki de Saint Phalle and the ethics of ambiguity / Inside the empress / Wild maid, wild soul, a wild, wild weed: Niki de Saint Phalle's fierce femininities in the 1960s /
Anmärkning: Innehållsbeskrivning, sammanfattning "A timely reassessment of the artist's early performances and feminist sculptures, affirming their radical engagements and art historical significance. This volume is a focused look at two bodies of work, the Tirs ("shooting paintings") and Nanas ("dames"), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle (1930-2002). Alongside a poetic response to the work, four essays treat Saint Phalle's oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle's life in the 1960s. Tirs were made by firing a .22 caliber rifle at the surfaces of paintings. The bullets pierced bags of pigment, aerosol paint cans, or even food embedded in dense assemblages covered in painted plaster. Saint Phalle's increasingly liberated female figures with outstretched arms, curvaceous forms, and powerful poses developed into her well-known Nanas, an evolution contemporaneous with the rise of a Euro-American feminist movement."-- Publisher description.
Personnamn Saint-Phalle, Niki de, 1930-2002 Criticism and interpretation. Saint-Phalle, Niki de, 1930-2002.
Geografiskt namn
Personnamn Saint-Phalle, Niki de, 1930-2002. White, Michelle, 1979- VNV. Författare/medförfattare Jones, Amelia. Bidragsgivare Reines, Ariana VNV. Bidragsgivare Williams, Alena J. VNV. Bidragsgivare Davis, Molly Everett VNV. Bidragsgivare McDonald, Kyla VNV. Bidragsgivare
ISBN
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*24510$aNiki de Saint Phalle in the 1960s /$cJill Dawsey, Michelle White ; with essays by Amelia Jones, Ariana Reines, and Alena J. Williams ; and contributions by Molly Everett and Kyla McDonald.
*264 1$aHouston, TX :$bThe Menil Collection,$c[2021]
*264 4$c©2021
*300 $a242 pages$billustrations (chiefly color), portraits$c27 cm
*336 $atext$btxt$2rdacontent
*336 $astill image$bsti$2rdacontent
*337 $aunmediated$bn$2rdamedia
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*504 $aIncludes bibliographical references.
*5058 $tChronology of Tirs Séances: Niki de Saint Phalle's shooting sessions, 1961-1972 /$tThe outside world: Niki de Saint Phalle's Tirs and American art, 1961-1963 /$tThe first free women: Niki de Saint Phalle's Nanas /$tWorks of art --$tNiki de Saint Phalle and the ethics of ambiguity /$tInside the empress /$tWild maid, wild soul, a wild, wild weed: Niki de Saint Phalle's fierce femininities in the 1960s /
*5208 $a"A timely reassessment of the artist's early performances and feminist sculptures, affirming their radical engagements and art historical significance. This volume is a focused look at two bodies of work, the Tirs ("shooting paintings") and Nanas ("dames"), in the experimental 1960s practice of the French-American artist Niki de Saint Phalle (1930-2002). Alongside a poetic response to the work, four essays treat Saint Phalle's oeuvre as works of radical performance and feminist art, as well as highlighting her transatlantic projects and collaborations. A chronology with photo-documentation and known participants details for the first time all Tirs shooting events in Europe and the United States, and another timeline recaps Saint Phalle's life in the 1960s. Tirs were made by firing a .22 caliber rifle at the surfaces of paintings. The bullets pierced bags of pigment, aerosol paint cans, or even food embedded in dense assemblages covered in painted plaster. Saint Phalle's increasingly liberated female figures with outstretched arms, curvaceous forms, and powerful poses developed into her well-known Nanas, an evolution contemporaneous with the rise of a Euro-American feminist movement."--$cPublisher description.
*60010$aSaint-Phalle, Niki de,$d1930-2002$xCriticism and interpretation.
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*651 7$aFrance.$2fast
*7001 $aSaint-Phalle, Niki de,$d1930-2002.
*7001 $aWhite, Michelle,$d1979-$gVNV.$4aut
*7001 $aJones, Amelia.$4ctb
*7001 $aReines, Ariana$gVNV.$4ctb
*7001 $aWilliams, Alena J.$gVNV.$4ctb
*7001 $aDavis, Molly Everett$gVNV.$4ctb
*7001 $aMcDonald, Kyla$gVNV.$4ctb
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